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    <loc>http://www.heatherkapplow.com/umbrage</loc>
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    <lastmod>2014-05-14</lastmod>
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      <image:title>Umbrage - Umbrage</image:title>
      <image:caption>In September of 2011, I posed as an academic in a panel discussion at the International Symposium of Electronic Art in Istanbul, Turkey. The panel was composed of researchers in the field of Emotion Studies, and the theme of the discussion was digital artworks that primarily address emotion or autism. The project involved my submitting a paper and abstract for publication by ISEA, but I simply sat and sobbed uncontrollably at the panel table for my allotted presentation time. This stimulated an interesting discussion of the contagion of strong emotional states and how this impact could and couldn't be captured in digital artworks. The performance was not documented, so the only content available for review are the textual components. The images here are both excerpts from the paper I presented, but it also contained the story behind my unusual presentation. (Performance, writing.)</image:caption>
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      <image:title>Umbrage - Umbrage</image:title>
      <image:caption>In September of 2011, I posed as an academic in a panel discussion at the International Symposium of Electronic Art in Istanbul, Turkey. The panel was composed of researchers in the field of Emotion Studies, and the theme of the discussion was digital artworks that primarily address emotion or autism. The project involved my submitting a paper and abstract for publication by ISEA, but I simply sat and sobbed uncontrollably at the panel table for my allotted presentation time. This stimulated an interesting discussion of the contagion of strong emotional states and how this impact could and couldn't be captured in digital artworks. The performance was not documented, so the only content available for review are the textual components. The images here are both excerpts from the paper I presented, but it also contained the story behind my unusual presentation. (Performance, writing.)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Umbrage</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/hl-restoration-services</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2014-05-14</lastmod>
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      <image:title>H&amp;L Restoration Services - H&amp;L Restoration Services</image:title>
      <image:caption>On May 2, 2010, I collaborated with artists Liz Nofziger and Linda Price Snedden to operate a one-day alternative health clinic as a site-specific piece for the MEME Gallery's $tore $how. H&amp;L Restoration Services offered "the antidote to everyday life", an extremely specialized type of treatment that we claimed had previously only been available in Tibet. In reality, what we offered was an elaborate intake process; a tube that allowed participants to breathe air from the moldiest basement we'd ever seen while staring at an extremely bright light; amplified sounds of the participants' own breath; and follow up treatment exercises for keeping everyday life at bay. Our inspiration was a type of mold that takes over the brains of ants and is used to treat hypoglycemia in Tibet. (Mixed media, performance, conceptual art, mold, contact mics, audio feedback, writing, bright light.) Photo credit: Linda Price Snedden.</image:caption>
    </image:image>
    <image:image>
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      <image:title>H&amp;L Restoration Services - H&amp;L Restoration Services</image:title>
      <image:caption>On May 2, 2010, I collaborated with artists Liz Nofziger and Linda Price Snedden to operate a one-day alternative health clinic as a site-specific piece for the MEME Gallery's $tore $how. H&amp;L Restoration Services offered "the antidote to everyday life", an extremely specialized type of treatment that we claimed had previously only been available in Tibet. In reality, what we offered was an elaborate intake process; a tube that allowed participants to breathe air from the moldiest basement we'd ever seen while staring at an extremely bright light; amplified sounds of the participants' own breath; and follow up treatment exercises for keeping everyday life at bay. Our inspiration was a type of mold that takes over the brains of ants and is used to treat hypoglycemia in Tibet. (Mixed media, performance, conceptual art, mold, contact mics, audio feedback, writing, bright light.) Photo credit: Linda Price Snedden.</image:caption>
    </image:image>
    <image:image>
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      <image:title>H&amp;L Restoration Services - H&amp;L Restoration Services</image:title>
      <image:caption>For one day only Liz Nofziger and Heather Kapplow, along with Linda Price Sneddon, will be offering creative wellness services as H&amp;L Restoration Services. As seen on CCTV and the MASSART CHANNEL, H&amp;L Restoration Services is an extremely specialized clinic that provides a type of treatment that has previously only been available in Tibet. We think it might be the antidote to everyday life! Please see our fine infomercial here for more details about our highly effective treatment. H&amp;L Restoration Services will be operating this fairly top secret (but extremely affordable) trial treatment center for one day only! Because we care a great deal about your physical and mental health, we invite you to partake of what we are offering. Please feel free to refer your friends and relatives to us as well. Video credit: Heather Kapplow and Liz Nofziger.</image:caption>
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      <image:title>H&amp;L Restoration Services</image:title>
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      <image:title>H&amp;L Restoration Services</image:title>
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      <image:title>H&amp;L Restoration Services</image:title>
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      <image:title>H&amp;L Restoration Services</image:title>
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      <image:title>H&amp;L Restoration Services</image:title>
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      <image:title>H&amp;L Restoration Services</image:title>
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      <image:title>H&amp;L Restoration Services</image:title>
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      <image:title>H&amp;L Restoration Services</image:title>
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      <image:title>H&amp;L Restoration Services</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/rfaoh</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-12-19</lastmod>
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      <image:title>RFAOH - Residency for Artists on Hiatus</image:title>
      <image:caption>From February 1, 2015 - July 23, 2015 I was an artist in residence at the RESIDENCY FOR ARTISTS ON HIATUS. A description of what I was doing with the time in lieu of making artwork is available here, which is also where I posted updates about my experiences within the residency. Nothing you see on this page is art except for the piece featured in the first photograph, which is not mine. The artist prefers to remain anonymous, but he talks about his work in this January 2014 interview in Boston Magazine. The other images here each represent endeavors that I undertook during the residency that were not art for one reason or another.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421894981447-OT7IQJHDHRQG541WS2ZJ/notart2.jpg</image:loc>
      <image:title>RFAOH - Residency for Artists on Hiatus</image:title>
      <image:caption>From February 1, 2015 - July 23, 2015 I was an artist in residence at the RESIDENCY FOR ARTISTS ON HIATUS. A description of what I was doing with the time in lieu of making artwork is available here, which is also where I posted updates about my experiences within the residency. Nothing you see on this page is art except for the piece featured in the first photograph, which is not mine. The artist prefers to remain anonymous, but he talks about his work in this January 2014 interview in Boston Magazine. The other images here each represent endeavors that I undertook during the residency that were not art for one reason or another.</image:caption>
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      <image:title>RFAOH</image:title>
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      <image:title>RFAOH</image:title>
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      <image:title>RFAOH</image:title>
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      <image:title>RFAOH</image:title>
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      <image:title>RFAOH</image:title>
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      <image:title>RFAOH</image:title>
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      <image:title>RFAOH</image:title>
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      <image:title>RFAOH</image:title>
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      <image:title>RFAOH</image:title>
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      <image:title>RFAOH</image:title>
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      <image:title>RFAOH</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/taste-in-art</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-09-24</lastmod>
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      <image:title>Taste in Art - Taste in Art</image:title>
      <image:caption>Taste in Art was a site-specific performance that occurred twice in May of 2014. The performance (and its ephemera) was included within the exhibit YOU MADE IT, curated by Christopher Stiegler at Flux Factory in Queens, NY and was also a part of the 2014 Open Engagement conference. During the performances, I licked visitors to the exhibit and wrote tasting notes on them as if they were fine wines, using a template that referenced the esthetics of ZAGAT, Art in America, and Wine Spectator. It also included language from Pierre Bourdieu—his ideas were very prominent within the 2014 conference. Dressed in catering attire, I tasted each person, swashed their flavor around in my mouth, spat into a spittoon, and cleansed my palate with water before contemplating and describing their flavors. After this process was completed, I found the person I had tasted and read and discussed the notes with them. The most predominant response when I discussed people's notes with them was that they or their friends felt that the tasting was "true"—that the description had captured something that was their essence in some way. Between the two performances, I licked a total of 21 people (but had to turn away many more,) including Flux Factory community members; party-goers at the exhibit opening; artists, arts programmers, and arts administrators from around the world attending the conference; and a few people who seemed to have just wandered in off the street. Photo credit: Ayden L.M. Grout.</image:caption>
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      <image:title>Taste in Art - Taste in Art</image:title>
      <image:caption>Taste in Art was a site-specific performance that occurred twice in May of 2014. The performance (and its ephemera) was included within the exhibit YOU MADE IT, curated by Christopher Stiegler at Flux Factory in Queens, NY and was also a part of the 2014 Open Engagement conference. During the performances, I licked visitors to the exhibit and wrote tasting notes on them as if they were fine wines, using a template that referenced the esthetics of ZAGAT, Art in America, and Wine Spectator. It also included language from Pierre Bourdieu—his ideas were very prominent within the 2014 conference. Dressed in catering attire, I tasted each person, swashed their flavor around in my mouth, spat into a spittoon, and cleansed my palate with water before contemplating and describing their flavors. After this process was completed, I found the person I had tasted and read and discussed the notes with them. The most predominant response when I discussed people's notes with them was that they or their friends felt that the tasting was "true"—that the description had captured something that was their essence in some way. Between the two performances, I licked a total of 21 people (but had to turn away many more,) including Flux Factory community members; party-goers at the exhibit opening; artists, arts programmers, and arts administrators from around the world attending the conference; and a few people who seemed to have just wandered in off the street. Photo credit: Ayden L.M. Grout.</image:caption>
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      <image:title>Taste in Art</image:title>
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      <image:title>Taste in Art</image:title>
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      <image:title>Taste in Art</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/remnant-sale</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-05-14</lastmod>
    <image:image>
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      <image:title>Remnant Sale - Remnant Sale</image:title>
      <image:caption>On April 2, 2014, I organized a slightly impromptu collaborative installation/performance as a post-script to Sandrine Schaefer's three month long ACCUMULATION (PHASE 2) project that had just concluded as a part of the exhibit THE LIGHTNING SPEED OF THE PRESENT at the 808 Gallery at Boston University.  Remnant Sale displayed a collection of objects which had been accumulated in an extremely unusual way (and possibly imbued with power not visible at their surfaces,) offering a final opportunity to be near the entire collection of objects and feel their subtle energies. It was also a means of redistributing them. I acted as a broker for Sandrine in a series of negotiations with potential new owners of the objects. We offered the opportunity to purchase them to incorporate into new projects; for their pedigree; for their straightforward use value (where applicable); or in exchange for a performance.  Remnant Sale was intended as a means of providing closure for Sandrine's project and also as an exploration of valuation in art within an artistic community. The photos and videos here document the installation and performance, as well as several performances created in partial trade for particular objects. (Mixed media, performance.) Photo credit: Elaine Thap.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398274085957-U9T04IKX0JCZ3INNR211/BONES_RS_APRIL_2014.jpg</image:loc>
      <image:title>Remnant Sale - Remnant Sale</image:title>
      <image:caption>On April 2, 2014, I organized a slightly impromptu collaborative installation/performance as a post-script to Sandrine Schaefer's three month long ACCUMULATION (PHASE 2) project that had just concluded as a part of the exhibit THE LIGHTNING SPEED OF THE PRESENT at the 808 Gallery at Boston University.  Remnant Sale displayed a collection of objects which had been accumulated in an extremely unusual way (and possibly imbued with power not visible at their surfaces,) offering a final opportunity to be near the entire collection of objects and feel their subtle energies. It was also a means of redistributing them. I acted as a broker for Sandrine in a series of negotiations with potential new owners of the objects. We offered the opportunity to purchase them to incorporate into new projects; for their pedigree; for their straightforward use value (where applicable); or in exchange for a performance.  Remnant Sale was intended as a means of providing closure for Sandrine's project and also as an exploration of valuation in art within an artistic community. The photos and videos here document the installation and performance, as well as several performances created in partial trade for particular objects. (Mixed media, performance.) Photo credit: Elaine Thap.  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398284378846-GKDM26XJDRJIRD5T81UT/image-asset.jpeg</image:loc>
      <image:title>Remnant Sale - Duck Call (a performance-in-trade)</image:title>
      <image:caption>This video is documentation of an impromptu performance made by a Remnant Sale shopper, Marcus Aurin, in partial payment for a duck call he purchased at the sale. The duck call had previously been used in several performances that were a part of Sandrine Shaefer's ACCUMULATION (Phase 2) project at Boston University's 808 Gallery in the Spring of 2014. Video credit: Elaine Thap.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398274332950-SA56DGHV803XBNYGI9CP/UNDER_TABLE_ACTION_RS_APRIL_2014.jpeg</image:loc>
      <image:title>Remnant Sale - Preserved Strawberry (performance-in-trade)</image:title>
      <image:caption>Documentation of an impromptu performance made by a Remnant Sale shopper, Kelly Hunter, in partial payment for a jar containing a preserved strawberry that she purchased at the sale. The jar and strawberry had previously been used in several performances that were a part of Sandrine Shaefer's ACCUMULATION (Phase 2) project at Boston University's 808 Gallery in the Spring of 2014. April 2, 2014. Photo Credit: Elaine Thap.  </image:caption>
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      <image:title>Remnant Sale</image:title>
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      <image:title>Remnant Sale - Shirt &amp; Tie (a performance-in-trade)</image:title>
      <image:caption>This video is documentation of an impromptu performance made by a Remnant Sale attendee, Elaine Thap, in partial payment for a tuxedo shirt and a red tie that she purchased at the sale. The shirt and tie had previously been used in several performances that were a part of Sandrine Shaefer's ACCUMULATION (Phase 2) project at Boston University's 808 Gallery in the Spring of 2014. Video credit: Heather Kapplow.</image:caption>
    </image:image>
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      <image:title>Remnant Sale</image:title>
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      <image:title>Remnant Sale</image:title>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/untitled-reader</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398736513591-Q69CTO95JT3NHH0SM3JL/UNTITLED_150.jpg</image:loc>
      <image:title>Untitled Reader - Untitled (As of Yet) Limited Edition Confetti Reader</image:title>
      <image:caption>In September 2013, I was commissioned to produce a "responsive publication" meant to act as the catalog for an exhibit at Flux Factory in Queens, NY called UNTITLED (AS OF YET). The exhibit, occurring almost a year after Hurricane Sandy, focused on "events that first appear to be disruptive, even catastrophic, but eventually open the door to new thoughts, practices, and opportunities." Rather than create a traditional catalog, I incorporated the images and interests of the artists involved in the show into a fictional narrative, which was delivered in shredded form (6 5/8" x 4 1/2") and offered as an alternate interpretation of the exhibition's purpose. Unreadable at the exhibition, the limited edition confetti reader was also available in an unlimited, PDF format online, where its particular physical manifestation could be discovered as the conclusion to a fictional narrative rooted in current events. (Mixed media including shredded paper, glassine envelope, sticker, ink, writing, digital image.)  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398736513591-Q69CTO95JT3NHH0SM3JL/UNTITLED_150.jpg</image:loc>
      <image:title>Untitled Reader - Untitled (As of Yet) Limited Edition Confetti Reader</image:title>
      <image:caption>In September 2013, I was commissioned to produce a "responsive publication" meant to act as the catalog for an exhibit at Flux Factory in Queens, NY called UNTITLED (AS OF YET). The exhibit, occurring almost a year after Hurricane Sandy, focused on "events that first appear to be disruptive, even catastrophic, but eventually open the door to new thoughts, practices, and opportunities." Rather than create a traditional catalog, I incorporated the images and interests of the artists involved in the show into a fictional narrative, which was delivered in shredded form (6 5/8" x 4 1/2") and offered as an alternate interpretation of the exhibition's purpose. Unreadable at the exhibition, the limited edition confetti reader was also available in an unlimited, PDF format online, where its particular physical manifestation could be discovered as the conclusion to a fictional narrative rooted in current events. (Mixed media including shredded paper, glassine envelope, sticker, ink, writing, digital image.)  </image:caption>
    </image:image>
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      <image:title>Untitled Reader</image:title>
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      <image:title>Untitled Reader</image:title>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/catfishing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-12-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437272503434-J3X184W0ALD36GR75RVU/EVENT_PHOTO.jpg</image:loc>
      <image:title>Catfishing - CATFISHING</image:title>
      <image:caption>Between July 16 and July 19, 2015, I produced a virtual social experiment called Catfishing where I attempted to force the appreciation of public art on people who would prefer to have an extremely casual sexual encounter, in an effort to answer the age-old question of whether an art experience is a good substitute for a sexual one. This occured as a part of the Outside of The Box Festival on Boston Common (see dates &amp; details here) and was one of many pieces included in the "Inter-Actions, Art That Performs" project designed and curated by Rick Dorff and presented by Marc Miller and the Fort Point Theatre Channel. Catfishing was designed especially to respond to Dorff's three interactive sculptures. Online dating (or hookup) profiles were created for each of the sculptures and realtime efforts were made to entice paramours to the performances occurring in public space each night. Only one was successful. The images here document some of the profiles created and exchanges made with potential love connections. Lessons Learned As the project was presented as research, I'll quickly note a few things learned here and then eventually add more detail and move this over to this month's blog post. 1) If you're going to try to hookup with people quickly and/or use sex to lure them to art, you have to be willing to put skin in the game. Literally. 2) Political and/or civic campaigns that are interested in enlisting liberal minded folk interested in protecting their civil (or at least sexual) liberties should strongly consider advertising within online hookup apps. 3) A virtual project is not the best way to stimulate sculptures that respond to sound and motion.    </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437272503434-J3X184W0ALD36GR75RVU/EVENT_PHOTO.jpg</image:loc>
      <image:title>Catfishing - CATFISHING</image:title>
      <image:caption>Between July 16 and July 19, 2015, I produced a virtual social experiment called Catfishing where I attempted to force the appreciation of public art on people who would prefer to have an extremely casual sexual encounter, in an effort to answer the age-old question of whether an art experience is a good substitute for a sexual one. This occured as a part of the Outside of The Box Festival on Boston Common (see dates &amp; details here) and was one of many pieces included in the "Inter-Actions, Art That Performs" project designed and curated by Rick Dorff and presented by Marc Miller and the Fort Point Theatre Channel. Catfishing was designed especially to respond to Dorff's three interactive sculptures. Online dating (or hookup) profiles were created for each of the sculptures and realtime efforts were made to entice paramours to the performances occurring in public space each night. Only one was successful. The images here document some of the profiles created and exchanges made with potential love connections. Lessons Learned As the project was presented as research, I'll quickly note a few things learned here and then eventually add more detail and move this over to this month's blog post. 1) If you're going to try to hookup with people quickly and/or use sex to lure them to art, you have to be willing to put skin in the game. Literally. 2) Political and/or civic campaigns that are interested in enlisting liberal minded folk interested in protecting their civil (or at least sexual) liberties should strongly consider advertising within online hookup apps. 3) A virtual project is not the best way to stimulate sculptures that respond to sound and motion.    </image:caption>
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      <image:title>Catfishing</image:title>
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      <image:title>Catfishing</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/d-und-h-productions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-12-22</lastmod>
    <image:image>
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      <image:title>D und H Productions - D und H Productions</image:title>
      <image:caption>In December 2011 and February 2012, I collaborated with visual artist and sculptor, Dedalus Wainwright on the development of prototypes for a line of "conceptual art giftware for the 21st Century." Collections of these objects were presented at a holiday craft fair in December 2011 and online through Etsy for Valentine's Day 2012. We billed them as "exclusive products designed for those ready to move beyond traditional gift giving into a realm of more philosophically intricate holiday exchange activity." An assortment of documents including descriptions of our products and services are available here. These images show some of the products we sold in-situ at the holiday craft fair that we infiltrated, a packaged up "sampler gift pack" containing one of each of our products, and the tools and installation process involved in delivering one of the products we sold to its owner.  The product sold was called "Silver Lining 4100-4 (Bill's Joy)", one of a limited edition series of interactive opportunities being sold by D und H Productions within the The Blues and Silver Lining line of products. In this case, the client requested that D und H apply Silver Lining 4100-4 (Bill's Joy) to an object which turned out to consist of both the inner cover of his journal and the Western wall of his bathroom. (Mixed media, sculpture, performance, interactions, contracts, writing.)  </image:caption>
    </image:image>
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      <image:title>D und H Productions - D und H Productions</image:title>
      <image:caption>In December 2011 and February 2012, I collaborated with visual artist and sculptor, Dedalus Wainwright on the development of prototypes for a line of "conceptual art giftware for the 21st Century." Collections of these objects were presented at a holiday craft fair in December 2011 and online through Etsy for Valentine's Day 2012. We billed them as "exclusive products designed for those ready to move beyond traditional gift giving into a realm of more philosophically intricate holiday exchange activity." An assortment of documents including descriptions of our products and services are available here. These images show some of the products we sold in-situ at the holiday craft fair that we infiltrated, a packaged up "sampler gift pack" containing one of each of our products, and the tools and installation process involved in delivering one of the products we sold to its owner.  The product sold was called "Silver Lining 4100-4 (Bill's Joy)", one of a limited edition series of interactive opportunities being sold by D und H Productions within the The Blues and Silver Lining line of products. In this case, the client requested that D und H apply Silver Lining 4100-4 (Bill's Joy) to an object which turned out to consist of both the inner cover of his journal and the Western wall of his bathroom. (Mixed media, sculpture, performance, interactions, contracts, writing.)  </image:caption>
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      <image:title>D und H Productions</image:title>
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      <image:title>D und H Productions</image:title>
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      <image:title>D und H Productions</image:title>
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      <image:title>D und H Productions</image:title>
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      <image:title>D und H Productions</image:title>
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      <image:title>D und H Productions</image:title>
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      <image:title>D und H Productions</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/everything-arrives-everything-departs</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399935745089-WFOZSSRU3S8UV42PJIVA/4876200173_a9c1fd9f47_b+copy.jpg</image:loc>
      <image:title>Everything Arrives, Everything Departs - Everything Arrives, Everything Departs</image:title>
      <image:caption>In 2009, I started a "short-duration cult" as an artist-in-residence on Bumpkin Island, in Boston Harbor. I recruited three "devotees" who lived with me on the island for a week; built a "temple" from materials they found on the island; learned rituals that were performed at particular times of day; and passed out cult literature in an effort to gain new recruits. On the weekend, when the public was invited to visit art projects around the island, I sat in apparent meditation for 8 hours each day. The project was actually about the flight patterns to and from the city's main airport which cross right over the island—many of the rituals involved gestures taken from airline safety videos—but no one knew that until afterwards. They just took time to be in an urban public space for the sake of being there—owning it together. (Collaborative performance and installation, mixed media, clarinet, white costumes, writing, handmade objects, found objects, professionally printed pamphlets.) Collaborators included: Valerie Isaacs, Zachary Katz, Marisa Miller and Thalia Zedek. Photo credit: David Tames.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399935745089-WFOZSSRU3S8UV42PJIVA/4876200173_a9c1fd9f47_b+copy.jpg</image:loc>
      <image:title>Everything Arrives, Everything Departs - Everything Arrives, Everything Departs</image:title>
      <image:caption>In 2009, I started a "short-duration cult" as an artist-in-residence on Bumpkin Island, in Boston Harbor. I recruited three "devotees" who lived with me on the island for a week; built a "temple" from materials they found on the island; learned rituals that were performed at particular times of day; and passed out cult literature in an effort to gain new recruits. On the weekend, when the public was invited to visit art projects around the island, I sat in apparent meditation for 8 hours each day. The project was actually about the flight patterns to and from the city's main airport which cross right over the island—many of the rituals involved gestures taken from airline safety videos—but no one knew that until afterwards. They just took time to be in an urban public space for the sake of being there—owning it together. (Collaborative performance and installation, mixed media, clarinet, white costumes, writing, handmade objects, found objects, professionally printed pamphlets.) Collaborators included: Valerie Isaacs, Zachary Katz, Marisa Miller and Thalia Zedek. Photo credit: David Tames.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400102917545-JVRZSVYZ4IEEJFWIEF4X/Secret_Symbol.jpg</image:loc>
      <image:title>Everything Arrives, Everything Departs</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399938312246-MLJLC8VSZRKJT4T1SU0G/image-asset.jpeg</image:loc>
      <image:title>Everything Arrives, Everything Departs - Everything Arrives, Everything Departs</image:title>
      <image:caption>A week long performance/installation on Bumpkin Island where I led a “cult” whose main ritual was sitting quietly and looking at the sea. The piece was about the flight patterns to and from Logan Airport over the island, but no one knew that until afterwards. They just took time to be in an urban public space for the sake of being there—owning it together. Features Zach Katz, Marisa Miller and Thalia Zedek. Video credit: Patrick Johnson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399935773327-2PKSQFVECIL698EW5V5Y/4876200541_c7fcd88b81_o+copy.jpg</image:loc>
      <image:title>Everything Arrives, Everything Departs</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399939145050-2RZPN86X7FTR7KQXAIMB/BIG_RED_ON-THE-TOWN_1018148-ott_11.jpg</image:loc>
      <image:title>Everything Arrives, Everything Departs</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399939145277-KI5G8NADIDZ3VIE9RKIH/BIG_RED_ON-THE-TOWN_1018148-ott_12.jpg</image:loc>
      <image:title>Everything Arrives, Everything Departs</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/dead-drop</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398739924803-Q33S07UOPJ85MRT0BUS7/THIS_IS_NOT_A_DEAD_DROP.jpg</image:loc>
      <image:title>Dead Drop - Dead Drop</image:title>
      <image:caption>Dead Drop was a conceptual/curatorial project, hosted on the premises of the Art Market Provincetown gallery from July - September 2013. It was presented as a site for "operatives" needing to pass critical information secretively to other, unknown operatives, but presumed that "operative" was code for artist. I planted (hid in plain sight) a few objects from invited artists, three of which are presented here, but people who found the pieces were invited to take them in exchange for discretely planting their own artworks at the gallery. The only catch was that the artwork had to meet the following criteria: • Must deal with death, subterfuge, and/or the occult. But these can be interpreted very liberally. • Must be made for one unknown person to find. It is assumed that the finder needs to know something very important, so your piece should share something very important. Maybe something that couldn't be shared via a live drop. • Must be enclosed within something innocuous that can be easily placed or installed either in the gallery building or nearby outside of it. • You must be willing to give the work away to the "operative" who retrieves it. The goal was for artists to pass crucial information about our deepest fears and strangest experiences on through a chain whose end we could not know (in order to protect operational security.) Artists were expected to trust that their information was getting where it needed to go. (Mixed media including writing, found objects, pen and ink.) Photo credit: Debbie Nadolney and Heather Kapplow.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398739924803-Q33S07UOPJ85MRT0BUS7/THIS_IS_NOT_A_DEAD_DROP.jpg</image:loc>
      <image:title>Dead Drop - Dead Drop</image:title>
      <image:caption>Dead Drop was a conceptual/curatorial project, hosted on the premises of the Art Market Provincetown gallery from July - September 2013. It was presented as a site for "operatives" needing to pass critical information secretively to other, unknown operatives, but presumed that "operative" was code for artist. I planted (hid in plain sight) a few objects from invited artists, three of which are presented here, but people who found the pieces were invited to take them in exchange for discretely planting their own artworks at the gallery. The only catch was that the artwork had to meet the following criteria: • Must deal with death, subterfuge, and/or the occult. But these can be interpreted very liberally. • Must be made for one unknown person to find. It is assumed that the finder needs to know something very important, so your piece should share something very important. Maybe something that couldn't be shared via a live drop. • Must be enclosed within something innocuous that can be easily placed or installed either in the gallery building or nearby outside of it. • You must be willing to give the work away to the "operative" who retrieves it. The goal was for artists to pass crucial information about our deepest fears and strangest experiences on through a chain whose end we could not know (in order to protect operational security.) Artists were expected to trust that their information was getting where it needed to go. (Mixed media including writing, found objects, pen and ink.) Photo credit: Debbie Nadolney and Heather Kapplow.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398739898507-N7KD9AIKUIW95SALXHO5/firstdropfront.jpg</image:loc>
      <image:title>Dead Drop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398739900638-SNSFEKTDY4OQ43CEWHRU/firstdrop.jpg</image:loc>
      <image:title>Dead Drop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398739906709-W2ED2YECOZNFZQBHE0SD/H_Kuchka+copy.JPG</image:loc>
      <image:title>Dead Drop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398739917451-AQWA776BDJKR0VVAYGO6/photo+1+copy.JPG</image:loc>
      <image:title>Dead Drop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398739916281-IY74DFHTD88M7TX77PPT/photo+4+copy.JPG</image:loc>
      <image:title>Dead Drop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398739984186-WYY08D2T3XTVLCR3OO4C/M_Castillo+copy.JPG</image:loc>
      <image:title>Dead Drop</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/im-sorry-olen-pahoillani</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399935345678-SUWO3OZODCWNA92Z0PHD/IM_SORRY_WRITING+copy.jpeg</image:loc>
      <image:title>I'm Sorry (Olen Pahoillani) - I'm Sorry (Olen Pahoillani)</image:title>
      <image:caption>During the 2010 ANTI Performance Art Festival in Koupio, Finland, I spent all day every day making apologies. During the 10 days that I was on Finnish soil, I spoke no words except for "I'm Sorry" in an effort to compensate for screwing things up in an earlier, romantic relationship with the country. Each day I walked for 8-12 hours, making site-specific apologies commissioned by residents and attempting to connect with locals without speaking any words beyond "I'm Sorry". The images here offer a little bit of documentation of my engagement with the town of Kuopio (most went undocumented, but I made some lasting friendships without speaking!); my participation in the larger festival in character; the 2-sided card I carried with me to explain my situation; and the tattoo I managed to acquire during the project. (A festival attendee felt that tattoos were a good way to demonstrate a serious intention to repair a broken relationship, so I obtained a small tattoo from a local tattoo artist, still without speaking.) (Mixed media, including canvas costume, printed matter, performance, writing, tattoo.) Costume created with Jennifer Engel. Photo credit:  Savon Sanomat and Pekka Mäkinen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399935345678-SUWO3OZODCWNA92Z0PHD/IM_SORRY_WRITING+copy.jpeg</image:loc>
      <image:title>I'm Sorry (Olen Pahoillani) - I'm Sorry (Olen Pahoillani)</image:title>
      <image:caption>During the 2010 ANTI Performance Art Festival in Koupio, Finland, I spent all day every day making apologies. During the 10 days that I was on Finnish soil, I spoke no words except for "I'm Sorry" in an effort to compensate for screwing things up in an earlier, romantic relationship with the country. Each day I walked for 8-12 hours, making site-specific apologies commissioned by residents and attempting to connect with locals without speaking any words beyond "I'm Sorry". The images here offer a little bit of documentation of my engagement with the town of Kuopio (most went undocumented, but I made some lasting friendships without speaking!); my participation in the larger festival in character; the 2-sided card I carried with me to explain my situation; and the tattoo I managed to acquire during the project. (A festival attendee felt that tattoos were a good way to demonstrate a serious intention to repair a broken relationship, so I obtained a small tattoo from a local tattoo artist, still without speaking.) (Mixed media, including canvas costume, printed matter, performance, writing, tattoo.) Costume created with Jennifer Engel. Photo credit:  Savon Sanomat and Pekka Mäkinen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399935364912-KXYLBZQWD292RDPIBK7E/SUOMI_CARD+copy.jpg</image:loc>
      <image:title>I'm Sorry (Olen Pahoillani)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399935361412-4EIE9EOVSA4XLNKJZK59/ENGLISH_CARD+copy.jpg</image:loc>
      <image:title>I'm Sorry (Olen Pahoillani)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399935345398-Z35L522P2JQNJ3FNP1MQ/IM_SORRY_WALKING+copy.jpeg</image:loc>
      <image:title>I'm Sorry (Olen Pahoillani)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399935351083-O7GT3RY5EEJPRG529GND/ME_IN_RACE+copy.jpg</image:loc>
      <image:title>I'm Sorry (Olen Pahoillani)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399935344982-YPU2KU2MZUCATII6RGXK/Detail_of_Costume+copy.jpg</image:loc>
      <image:title>I'm Sorry (Olen Pahoillani)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399935364544-E1DHOC35E5ASGSZSG8SI/TATTOO+copy.jpg</image:loc>
      <image:title>I'm Sorry (Olen Pahoillani)</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/weather-shmether</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437592965852-C5QXSFD1YBWIGMH9FGZJ/image-asset.jpeg</image:loc>
      <image:title>Weather Shmether - Episode 1: CRAPPY DAY</image:title>
      <image:caption>Weather Shmether was a 10-episode daily television series that ran multiple times a day for the duration of the STROBE NETWORK experimental television broadcast, from June 12 - 21, 2015. This short form experimental journalism provided daily weather reports covering the internal and external microclimates of its unnamed main character. The official description of the series from the STROBE NETWORK's program guide is below: "Why does every show have to have a description? It's like the first nice day in nine months. I don't want to spend it staring at a screen trying to sound smart. Maybe I have PMS, but fuck you."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437592965852-C5QXSFD1YBWIGMH9FGZJ/image-asset.jpeg</image:loc>
      <image:title>Weather Shmether - Episode 1: CRAPPY DAY</image:title>
      <image:caption>Weather Shmether was a 10-episode daily television series that ran multiple times a day for the duration of the STROBE NETWORK experimental television broadcast, from June 12 - 21, 2015. This short form experimental journalism provided daily weather reports covering the internal and external microclimates of its unnamed main character. The official description of the series from the STROBE NETWORK's program guide is below: "Why does every show have to have a description? It's like the first nice day in nine months. I don't want to spend it staring at a screen trying to sound smart. Maybe I have PMS, but fuck you."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437593098566-9LSQ72SMAIO6NBPC44RF/image-asset.jpeg</image:loc>
      <image:title>Weather Shmether - Episode 2: IRRITABLE</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437593162783-6WFHY1LDJS7W7SUYOYE2/image-asset.jpeg</image:loc>
      <image:title>Weather Shmether - Episode 3: NOT IN A BAD MOOD</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437593285927-4ZGTHQUH5S9DMDN38KEJ/image-asset.jpeg</image:loc>
      <image:title>Weather Shmether - Episode 4: FLABBY DAY</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437593215347-UVLTRPUCLKBF1N2EIWAB/image-asset.jpeg</image:loc>
      <image:title>Weather Shmether - Episode 5: TENSION</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437593187056-X1PV2QJ7QA5EWQI1SHOL/image-asset.jpeg</image:loc>
      <image:title>Weather Shmether - Episode 6: PET PEEVE</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437593244387-78SL0BSD21U5BUDE5975/image-asset.jpeg</image:loc>
      <image:title>Weather Shmether - Episode 7: HEADACHE PARANOID</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437593267534-TW47WEKWC44T4GAOP8FK/image-asset.jpeg</image:loc>
      <image:title>Weather Shmether - Episode 8: REALLY TIRED WOOD CHIPPER</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437586463770-C2YSO0V4EFRTQRZJHDQ4/image-asset.jpeg</image:loc>
      <image:title>Weather Shmether - Epsiode 9: FUCKING PATRIARCHY B</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437593308175-Y74C0KLKLKHJ52U9ZP9H/image-asset.jpeg</image:loc>
      <image:title>Weather Shmether - Episode 10: FUCKING PATRIARCHY A</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/acclimation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398728891547-R2KPM9OWTDQVAVZK3DJD/CANVAS2.jpeg</image:loc>
      <image:title>Acclimation - Acclimation</image:title>
      <image:caption>For the month of July 2013, I acted as a Weather Reporter for SP Weather Station, measuring the weather around their weather measuring devices with my own body's weather measuring devices, and studying when, why, and how people talk about the weather. My goal, beyond creating a product for the limited edition 2013 SP Weather Station portfolio, was to look closely at the places where social discomfort and physical discomfort meet and cancel one another out. This project was undertaken as an artist-in-residence at Flux Factory and the results, were exhibited from January - March 2014 at The Center For Book Arts. The image shown here is a piece of canvas containing sweat, sunscreen and Long Island City weather. (Mixed media including canvas, sweat, sunscreen, weather, video, audio, photography, performance, interaction, safety pins, professionally printed cardstock and a daily diary, available online here.) Photo credit: Katrina Neumann and Heather Kapplow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398728891547-R2KPM9OWTDQVAVZK3DJD/CANVAS2.jpeg</image:loc>
      <image:title>Acclimation - Acclimation</image:title>
      <image:caption>For the month of July 2013, I acted as a Weather Reporter for SP Weather Station, measuring the weather around their weather measuring devices with my own body's weather measuring devices, and studying when, why, and how people talk about the weather. My goal, beyond creating a product for the limited edition 2013 SP Weather Station portfolio, was to look closely at the places where social discomfort and physical discomfort meet and cancel one another out. This project was undertaken as an artist-in-residence at Flux Factory and the results, were exhibited from January - March 2014 at The Center For Book Arts. The image shown here is a piece of canvas containing sweat, sunscreen and Long Island City weather. (Mixed media including canvas, sweat, sunscreen, weather, video, audio, photography, performance, interaction, safety pins, professionally printed cardstock and a daily diary, available online here.) Photo credit: Katrina Neumann and Heather Kapplow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398729157851-L19T929F4VMPSUKG7IL6/Night_Tanning2.jpg</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398707682607-VFT9SPV2Q2T3AR9M8JNS/Day_Tanning1.jpg</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398728915893-Z7FUX8V0BRVEP3DFBRKV/CANVAS2WIDE.jpeg</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398707682279-IMU0ZHR4BTYODTRVQQOE/Day_Tanning.jpg</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398728996400-JWRFX7WVRQO0ZKY0H8ZU/CANVAS5.jpeg</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398704677497-Q4ER827XU6VZWJE1E0PA/InsertFront.jpg</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398704427081-ZXIUE0Y0LPQTU7SZ581V/InsertBack.jpg</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398706000421-93C8U1KRUS74KX3991L2/edition2_front.jpg</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398705049297-MVI2LIZKXZU67AE0U63J/edition2_back.jpg</image:loc>
      <image:title>Acclimation</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398707695704-YJI1LOK2S8JZHLN7FDEL/Day_Tanning3.JPG</image:loc>
      <image:title>Acclimation</image:title>
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      <image:title>Acclimation</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398728997844-LA4E5CCMJU47B0H4B6OX/CANVAS4.jpg</image:loc>
      <image:title>Acclimation</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398704692993-YS8W5N96WH14Q7IQW3YH/CBAshow.jpg</image:loc>
      <image:title>Acclimation</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398704700621-989CMMY7XXINOPT0O6ZY/CBAshow_diagram.jpg</image:loc>
      <image:title>Acclimation</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398713226136-4V419FJC1FJGVUHA7VSD/image-asset.jpeg</image:loc>
      <image:title>Acclimation - Acclimation</image:title>
      <image:caption>This is a 23 minute video about the weather in July 2013. It was produced during an artist's residency at Flux Factory for inclusion in a limited edition portfolio produced in 2013 by the SP Weather Station project. The video consists of over 900 consecutive daily photos that I took between July 1, 2013 and July 31, 2013. The photos are all of a piece of canvas that I laid on for at least one hour during each day of July 2013, on the roof of the Flux Factory in Queens, NY, right below the SP Weather Station. I laid on the canvas (in a bikini + sunscreen) in 103 degree weather and in torrential downpours. I laid there at 1am, 3am, 5am, 7am, 9am, 1pm, 3pm, 5pm, 7pm, 9pm, midnight and noon. Sometimes I laid there while others worked or partied or ate a few feet away. Other times I laid there with just the moon or the sun, or an endless view of clouds and the sound of trains passing by every 15 minutes or so. Both the canvas and I got to know the weather in that exact location extremely well. The audio here is a mix of: 1) The song “Get Together Weather” (Hans Conried, Peter Lind Hayes and Mary Healy) from Dr. Seuss's 1953 musical 5,000 Fingers of Dr. T, slowed down to 10% of the original recording; 2) The data captured by the SP Weather Station for the same time periods that I measured the weather with my body, where available, read aloud by the Apple computer voice “Vicki”; 3) Interviews done with strangers in NYC during my residency period about when people talk about the weather. The video was delivered on a DVD, in a limited edition case made for the SP Weather Station project from the canvas described above. It included a card describing the contents of the case and the edition number associated with each. The entire project inclusive of the limited edition video and packaging, the photographs, the interviews, and the performative/engagement aspects of the work is titled Acclimation. A daily diary kept during my residency at Flux Factory is also available as a free PDF download. Acclimation Credits: Conceptual/performance artist, interviewer, video creator and primary photographer: Heather Kapplow Additional photography: Katrina Neumann Special Thanks to: SP Weather Station; July 2013 Flux Factory Studio Inhabitants and Staff; Jessica, Jonathan and their respective significant others; Peter Pappas of Harrison Refrigeration &amp; Appliances (who inspired the project) and T. Zedek.</image:caption>
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      <image:title>Acclimation</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398728514527-PC4LXK0Z0UE5VWMHJ4DE/edition1_front.jpg</image:loc>
      <image:title>Acclimation</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398706829546-DNL0V0JSAABYRXKUDLN4/Night_Tanning.jpg</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398728970574-99C55SJTHDQM3ES1NDVC/CANVAS3.jpg</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398707694308-U50MN9S9XE3QUYZGDZS3/Day_Tanning2.jpg</image:loc>
      <image:title>Acclimation</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398729023681-O2A0OUB4K9NT8LXFUMBH/CANVAS6.jpeg</image:loc>
      <image:title>Acclimation</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398729165432-HDPG70R1IZ8OBXL3OW2I/Night_Tanning3.JPG</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398729032883-YH3S78FKHNUSRYC82OOA/CANVAS7.jpg</image:loc>
      <image:title>Acclimation</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398729354492-UXDCJIMFNCL2H0BGH0KE/CANVAS1.jpg</image:loc>
      <image:title>Acclimation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5357e7fee4b09afeccff3b8e/53596da4e4b019d5b7b7f271/535eee4fe4b0ad70e22ab8bf/1398730319026/</image:loc>
      <image:title>Acclimation</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/an-opportunity</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1420410919423-ZX10P7QY8UB8LFC0JYEZ/HKAPPLOW_AN_OPPORTUNITY.jpg</image:loc>
      <image:title>An Opportunity - An Opportunity</image:title>
      <image:caption>This piece, part sculpture (21" x 21" x 1.125") and part interaction, was created (on request) for a fundraiser and purchased at auction at Art in General in January of 2014. In addition to purchasing the physical object represented in the image here, the winner of this auction purchased a custom, transferable opportunity. The exact nature of the opportunity is to be determined via an investigative process undertaken by the artist at the convenience of the purchaser. This process includes, but may not be limited to, an interview process and/or the completion of a questionnaire. Delivery of the opportunity itself will be dependent on a number of considerations including the nature of the opportunity, and the ability of the recipient to accept it. The piece examines the notion of opportunity—a big factor in many career paths. Opportunity, or "a favorable juncture of circumstances," is not supposed to be something that can be brought on by will or construction. But what if it just doesn’t come about naturally? I liked the challenge that making this piece presents me with: to force an opportunity out of thin air. As of January 2015, the purchaser has requested, but not yet completed the questionnaire shown here. (Mixed media including plywood, pine, latex paint, wood screws, wood glue, brass doorknocker, personal interaction with artist, writing, paper, electronic communications.) Photo credit: Heather Kapplow</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1420410919423-ZX10P7QY8UB8LFC0JYEZ/HKAPPLOW_AN_OPPORTUNITY.jpg</image:loc>
      <image:title>An Opportunity - An Opportunity</image:title>
      <image:caption>This piece, part sculpture (21" x 21" x 1.125") and part interaction, was created (on request) for a fundraiser and purchased at auction at Art in General in January of 2014. In addition to purchasing the physical object represented in the image here, the winner of this auction purchased a custom, transferable opportunity. The exact nature of the opportunity is to be determined via an investigative process undertaken by the artist at the convenience of the purchaser. This process includes, but may not be limited to, an interview process and/or the completion of a questionnaire. Delivery of the opportunity itself will be dependent on a number of considerations including the nature of the opportunity, and the ability of the recipient to accept it. The piece examines the notion of opportunity—a big factor in many career paths. Opportunity, or "a favorable juncture of circumstances," is not supposed to be something that can be brought on by will or construction. But what if it just doesn’t come about naturally? I liked the challenge that making this piece presents me with: to force an opportunity out of thin air. As of January 2015, the purchaser has requested, but not yet completed the questionnaire shown here. (Mixed media including plywood, pine, latex paint, wood screws, wood glue, brass doorknocker, personal interaction with artist, writing, paper, electronic communications.) Photo credit: Heather Kapplow</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/the-crevice</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399906041774-6LB3KC6GO2M4ZMA4EOEB/CREVICE_SIGN.jpg</image:loc>
      <image:title>The Crevice - The Crevice Gallery</image:title>
      <image:caption>For Art Market Provincetown gallery, from July until November of 2012, I installed a gallery-within-a-gallery as a site-specific conceptual artwork. The Crevice Gallery was 9" x 14" x 14" and claimed to show "conceptually big work in a physically small space." It had a web page, a Facebook page, and got press coverage as if it were a full sized gallery. The Crevice Gallery hosted five group and solo shows (with miniature opening events) over the course of Provincetown MA's busy tourist season. I curated the shows via a combination of international open calls and outreach to artists I love working with. Work shown included miniature installations, conceptual work, collaborative engagement pieces, and performances. Please see the web page for full description of each of The Crevice Gallery's exhibits and participating artists' work. Artists included in shows were: Carrie M. Becker, Hannah Burr, Lauren Greenwood, Jennifer Engel, Francine LeClercq, Sandrine Shaefer, and Andi Sutton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399906041774-6LB3KC6GO2M4ZMA4EOEB/CREVICE_SIGN.jpg</image:loc>
      <image:title>The Crevice - The Crevice Gallery</image:title>
      <image:caption>For Art Market Provincetown gallery, from July until November of 2012, I installed a gallery-within-a-gallery as a site-specific conceptual artwork. The Crevice Gallery was 9" x 14" x 14" and claimed to show "conceptually big work in a physically small space." It had a web page, a Facebook page, and got press coverage as if it were a full sized gallery. The Crevice Gallery hosted five group and solo shows (with miniature opening events) over the course of Provincetown MA's busy tourist season. I curated the shows via a combination of international open calls and outreach to artists I love working with. Work shown included miniature installations, conceptual work, collaborative engagement pieces, and performances. Please see the web page for full description of each of The Crevice Gallery's exhibits and participating artists' work. Artists included in shows were: Carrie M. Becker, Hannah Burr, Lauren Greenwood, Jennifer Engel, Francine LeClercq, Sandrine Shaefer, and Andi Sutton.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400043033471-9MJ246K6O2TP34EJUZ94/BLACKandPINKcropped+copy.jpg</image:loc>
      <image:title>The Crevice</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041837491-HM4EG8SZSD4ZZFS3L31M/CARRIE_1.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041846012-VWTD0L3ADQONVYA5P59R/CARRIE_WIDE1.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041840388-ZRABDMR4K5N0VL1D3S6A/CARRIE_STICKIES.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041842527-JH1AGE2HFSRXUR7HWAQR/CARRIE_SUCCESS.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041837850-30QZSFJZ2FEFCT6T3XWP/CARRIE_DETAIL1.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041843375-DJF3N6JIMN1QJQ7VOJ69/CARRIE_DETAIL2.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041886323-6162U16YGRKMQGUDXZN9/SILENCES.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041865410-LTQ1QOUN1KG9FU04WTAB/LAUREN.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041848471-SN5EKD71Q8HIMHGTF0S1/HANNA_MAYBE.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041851430-NHN2BP7F84DBR0SRXN3W/HANNAH3.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041855199-TO8N0TPCCGBLWHLW2GSY/HANNAH4.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041868829-5EX0LTHOV7ZYO5W4D17E/SANDRINE1.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041858023-KGFWF1RWV4GW3WOOK9JE/JENNIFER.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041824330-OH9GQWV308LNU24KP5KL/ANDI.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041819631-CY5J8472NVOGZT0KD39O/ANDI2.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041824005-53YHTEZJBTU0UBPV687C/ANTIGONE1.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041833901-NYTSNJAHHAB9QI1R67VS/ANTIGONE2.jpg</image:loc>
      <image:title>The Crevice</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400041888823-6C7G441246WRVSA33U7D/SIGN_IN_SITU.jpg</image:loc>
      <image:title>The Crevice</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/seeing-red</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398741678386-YJKHCS1Q7NIGNER1YQAS/INVITEIMAGE3.jpg</image:loc>
      <image:title>Seeing Red - Seeing Red</image:title>
      <image:caption>In March of 2012, I was commissioned to give a gallery talk posing as an expert on the color red as a part of the Institute of Contemporary Art Boston's exhibit Figuring Color. The talk summarized my study of the color red in practice rather than in theory—a meditation of its role in my daily life—from February 13, 2012 until March 2, 2012. The full text of the talk is available as a PDF here. I took about 800 photographs as a part of this project. They were taken in passing on a low-resolution camera because the quality was not the main point. (Performance, photography, writing.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398741678386-YJKHCS1Q7NIGNER1YQAS/INVITEIMAGE3.jpg</image:loc>
      <image:title>Seeing Red - Seeing Red</image:title>
      <image:caption>In March of 2012, I was commissioned to give a gallery talk posing as an expert on the color red as a part of the Institute of Contemporary Art Boston's exhibit Figuring Color. The talk summarized my study of the color red in practice rather than in theory—a meditation of its role in my daily life—from February 13, 2012 until March 2, 2012. The full text of the talk is available as a PDF here. I took about 800 photographs as a part of this project. They were taken in passing on a low-resolution camera because the quality was not the main point. (Performance, photography, writing.)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398741387108-E74CCH5CEDFZV6PX5612/SEEING_RED_DETAIL2.JPG</image:loc>
      <image:title>Seeing Red</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398741401003-QO2PR9MXVOSUGEWURU0A/SEEING_RED_DETAIL3.JPG</image:loc>
      <image:title>Seeing Red</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398741401444-4OJP6AUGMN5BPM83YTES/SEEING_RED_DETAIL4.JPG</image:loc>
      <image:title>Seeing Red</image:title>
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      <image:title>Seeing Red</image:title>
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      <image:title>Seeing Red</image:title>
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      <image:title>Seeing Red</image:title>
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      <image:title>Seeing Red</image:title>
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      <image:title>Seeing Red</image:title>
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      <image:title>Seeing Red</image:title>
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      <image:title>Seeing Red</image:title>
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      <image:title>Seeing Red</image:title>
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      <image:title>Seeing Red</image:title>
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    <lastmod>2019-02-14</lastmod>
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      <image:caption>A community conversation at Sweat it Out (photo by Lani Asuncion.)</image:caption>
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    <lastmod>2017-08-20</lastmod>
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  <url>
    <loc>http://www.heatherkapplow.com/blog/2017/4/2/keepers</loc>
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    <lastmod>2017-07-27</lastmod>
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      <image:caption>Detail of Mirror Man and Naked Man Play Rock Paper Scissors.</image:caption>
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      <image:caption>Detail of Mirror Man and Naked Man Play Rock Paper Scissors.</image:caption>
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      <image:caption>Detail of Mirror Man and Naked Man Play Rock Paper Scissors.  </image:caption>
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      <image:title>Blog - Hmmm</image:title>
      <image:caption>Detail of Hermeneutic Cycle: Three Phases (Phase III)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2016/12/24/end-of-an-era</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1482637129982-EUIS5BL2PLWSO4P8KFS5/DreamJarbyMoira</image:loc>
      <image:title>Blog - End of an Era?</image:title>
      <image:caption>Dream Jar, created by Moira Williams and photographed by Christina Freeman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1482636992071-618V3696Q5FPETBUIP3T/image-asset.jpeg</image:loc>
      <image:title>Blog - End of an Era?</image:title>
      <image:caption>Detail (of installation in progress) of 96 Franklin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2016/10/8/center-finding</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1475934021639-ITNS1PXLFI29BTANYBUY/image-asset.jpeg</image:loc>
      <image:title>Blog - Center Finding</image:title>
      <image:caption>Study for 96 Franklin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1475934685271-2ZXUWXON6F1LOG80VQ20/image-asset.jpeg</image:loc>
      <image:title>Blog - Center Finding</image:title>
      <image:caption>Ephemera from What?!?, performed at Panoply Lab on 10/13/16.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2016/7/31/rainy-day-reflection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1469985622438-YTPRUW6B1YRFF3TL72JM/11StormsStill</image:loc>
      <image:title>Blog - Rainy Day Reflection</image:title>
      <image:caption>Still from a 2007 video project "Observation Work" that I'm currently revisiting/deconstructing for an installation in August called Microburst.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1470020251138-7ZC4ZKKNYR0JVVNY59YA/image-asset.jpeg</image:loc>
      <image:title>Blog - Rainy Day Reflection</image:title>
      <image:caption>Install view (before) of I want to feel comfortable here, but I don't think I ever will.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1470020949492-UDPIJ3RFJ7JEO3QBB0OW/image-asset.jpeg</image:loc>
      <image:title>Blog - Rainy Day Reflection</image:title>
      <image:caption>Temporary installation (May 2016) on George's Island in Boston Harbor that is already gone.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2016/5/6/small-things</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1462508229191-HEJQ2JBLQK4C31USDLUA/image-asset.png</image:loc>
      <image:title>Blog - Small Things</image:title>
      <image:caption>Specification test for "Petitions to Poseidon"</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2016/3/10/toy-b</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1457601644805-UBD77T6SC3JY9K1ADZNY/image-asset.png</image:loc>
      <image:title>Blog - Toy Boats</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2016/2/5/patience-possibility</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1454729657107-YDGIDZ98P02OD9FK7Y50/image-asset.jpeg</image:loc>
      <image:title>Blog - Patience, Possibility</image:title>
      <image:caption>Still from "Do Something" (2016)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2016/1/4/2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451942269574-DTL0548Z52WRKR0C6ZEQ/image-asset.jpeg</image:loc>
      <image:title>Blog - 2016.</image:title>
      <image:caption>WATER (Detail) [Photo Credit: Jerry Mann]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1452098260067-UFKS1R1OBHOO1KEMWC0W/image-asset.jpeg</image:loc>
      <image:title>Blog - 2016.</image:title>
      <image:caption>Proof. (Also, can you believe this tiny hand is the hand of an adult person?! It's my hand but it shocks me anyway..)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2015/10/24/culture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-10-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1445669023680-9IHE1KLECWZNMWPVYM5L/image-asset.jpeg</image:loc>
      <image:title>Blog - Culture</image:title>
      <image:caption>Install for Ovation in progress (at Fenway Park.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1445669687541-RAK4ZTUEMASGHVGB56BQ/image-asset.jpeg</image:loc>
      <image:title>Blog - Culture</image:title>
      <image:caption>Roving public artwork, Driving Culture, parked on Boston's City Hall Plaza.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1445669977657-LDK0QORX4DRFT64C4XKN/image-asset.jpeg</image:loc>
      <image:title>Blog - Culture</image:title>
      <image:caption>My documentation of a colleague's work (Shaw Pong Liu) during Boston Creates.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1445669834688-7IZJJ8XIFV038F30FRW8/image-asset.jpeg</image:loc>
      <image:title>Blog - Culture</image:title>
      <image:caption>1st sourdough bread by a filmmaker friend (Katya Gorker) in Philadelphia using starter originally received from a Boston musician (Shaw Pong Liu).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2015/8/20/letting-it-all-hangout-together-a-little-bit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1441073340322-UQU8JRPOTKN5SLF3NHXV/image-asset.jpeg</image:loc>
      <image:title>Blog - Letting it All Hangout (Together a Little Bit)</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2015/7/31/where-nothing-overt-happens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1438393238196-07IK2BKFZ55S5Z1NQB5C/image-asset.jpeg</image:loc>
      <image:title>Blog - Where Nothing Overt Happens</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2015/6/29/recycled-material</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1435630466153-797IVXXEWC0PV99PHYL9/image-asset.jpeg</image:loc>
      <image:title>Blog - Recycled Material</image:title>
      <image:caption>This is the final version of Jiminy Mac &amp; Cheese created with Thalia Zedek (in front of a live gallery audience) at The Boiler as a part of Menu For Mars Supper Club's Test Kitchen on June 13, 2015...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1435630769660-UY394ILLDP8T7P405E5V/image-asset.jpeg</image:loc>
      <image:title>Blog - Recycled Material</image:title>
      <image:caption>...and us looking extremely satisfied with our work and chefly afterwards. We also got strangers to drink hydrogen peroxide and eat unlabelled pink pills via pure charm/for the sake of art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1435631162979-CELX1CITU9AE7Q6RZ3KJ/image-asset.jpeg</image:loc>
      <image:title>Blog - Recycled Material</image:title>
      <image:caption>This is a not-particularly-good still from Crappy Day, the first episode of the Weather Shmether video series I produced for STROBE NETWORK. I'll eventually post all of these little videos on my "Various Videos" page.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1435634215792-LNSK5YZ9GZGRJECM2ETR/image-asset.jpeg</image:loc>
      <image:title>Blog - Recycled Material</image:title>
      <image:caption>This is a still from Flabby, the second episode of the Weather Shmether video series I produced for STROBE NETWORK. I'll eventually post all of these little videos on my "Various Videos" page.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2015/5/29/right-under-the-wire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-06-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1434427480994-N01RD1WPU9LYBR3RZK7C/image-asset.jpeg</image:loc>
      <image:title>Blog - Right Under the Wire</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2015/4/25/other-peoples-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1430015429979-5T3FRTR9LSRT7SLBNC6X/image-asset.png</image:loc>
      <image:title>Blog - Other People's Art</image:title>
      <image:caption>Multitasking, 2015. 18" (diameter.) Aluminum, carbon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2015/3/15/double-double-posting-posting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1426442190965-80K23BVV8DCK5EPCV3FE/image-asset.jpeg</image:loc>
      <image:title>Blog - Double Double Posting Posting</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2015/2/16/t73wmot3048hopx7e1prodwaf792rs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-02-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1424102054430-L859938ZSV7W3RCAHTQ0/image-asset.jpeg</image:loc>
      <image:title>Blog - Everything Looks Completely Different When it's Covered in Snow</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2015/1/24/taking-stock</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1422135534311-1H4NYT8YDYA3KTDGH05A/image-asset.jpeg</image:loc>
      <image:title>Blog - Taking Stock</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2014/12/15/too-busy-to-talk-more-later</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1418791805682-LC2KFZNB7SR4RVGPOUP8/image-asset.jpeg</image:loc>
      <image:title>Blog - Too Busy to Talk, More Later!</image:title>
      <image:caption>A little messy detail of LGR</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1418791999399-KMWD306L4CLW0V4C7TIR/image-asset.jpeg</image:loc>
      <image:title>Blog - Too Busy to Talk, More Later!</image:title>
      <image:caption>Blurry (sorry!) cellphone shot of of W.W.S. in progress.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1418792072797-2T21VAZ9X1Z89K90NLW4/image-asset.jpeg</image:loc>
      <image:title>Blog - Too Busy to Talk, More Later!</image:title>
      <image:caption>W.W.S. finished and ready to go.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2014/11/17/doing-not-doing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1416266487659-ACGRLENYQBPIE5C2AWWO/image-asset.jpeg</image:loc>
      <image:title>Blog - Doing, Not Doing</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2014/10/19/trazfikfzw01sfahvmpjxyz1vvzgzw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1413947191938-28PY6DCAX5MFKGV2KO23/CAM01008.jpg</image:loc>
      <image:title>Blog - Mini (but not short) Update</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2014/8/18/rejection-failure-stasis-but-not-in-a-bad-way</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-08-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1409073935994-6EJZ8LIA0E5I64R673XL/Eyesores+%40+DOT+AIR+2014</image:loc>
      <image:title>Blog - Rejection, Failure, Stasis (But Not in a Bad Way...)</image:title>
      <image:caption>Crooked scan of FujiPolaroid image taken during a set by The Eyesores at DOT AIR 2014.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2014/7/13/the-puppy-days-of-july</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-08-06</lastmod>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2014/6/19/what-i-did-on-my-summer-vacation-not-enough-or-is-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1403155450767-8Y4HOSRUYRFD4J9K7JTZ/image-asset.jpeg</image:loc>
      <image:title>Blog - What I Did On My Summer Vacation: Not Enough, Or Is It?</image:title>
      <image:caption>Blurry vacation cellphone shot of a tiny speck of Civic Engorgement in progress.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2014/5/14/going-live</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-05-31</lastmod>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/blog/2014/4/28/just-testing-this-stuff</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-04-28</lastmod>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/feelings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399948413390-35IJSK5ABVDEHUFFUBXB/bestblue.jpeg</image:loc>
      <image:title>Feelings - Feelings</image:title>
      <image:caption>A collaborative installation at the Door 3 Gallery at Broadway Bicycle School in Cambridge MA. The "gallery" is a bathroom at a very busy bike shop and cycle education center and traditionally has had shows of photography and other 2D work. Liz Nofziger and I had each created previous works specifically for bathrooms and both feel these are overlooked spaces for relaxation and reflection. So we decided to create an installation that pushed visitors to spend more time in a community loo than they normally would and to explore the space in a more tactile way than usual. The installation began very subtly in mid-April of 2014, and gradually rose to a visible and audible level for the month of May 2014. Special thanks to Zumix and Linda Price-Sneddon. And to Todd Antonellis for his invaluable contributions to Feelings. (Mixed media including found objects, rubbings, scripted audio, small professionally printed photo books, and a two-hour loop of renditions of the song Feelings by Morris Alpert.) Photo credit: Liz Nofziger and Heather Kapplow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399948413390-35IJSK5ABVDEHUFFUBXB/bestblue.jpeg</image:loc>
      <image:title>Feelings - Feelings</image:title>
      <image:caption>A collaborative installation at the Door 3 Gallery at Broadway Bicycle School in Cambridge MA. The "gallery" is a bathroom at a very busy bike shop and cycle education center and traditionally has had shows of photography and other 2D work. Liz Nofziger and I had each created previous works specifically for bathrooms and both feel these are overlooked spaces for relaxation and reflection. So we decided to create an installation that pushed visitors to spend more time in a community loo than they normally would and to explore the space in a more tactile way than usual. The installation began very subtly in mid-April of 2014, and gradually rose to a visible and audible level for the month of May 2014. Special thanks to Zumix and Linda Price-Sneddon. And to Todd Antonellis for his invaluable contributions to Feelings. (Mixed media including found objects, rubbings, scripted audio, small professionally printed photo books, and a two-hour loop of renditions of the song Feelings by Morris Alpert.) Photo credit: Liz Nofziger and Heather Kapplow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399942664929-9CY4GCX7L3RD63BF55A6/feelings+copy.jpg</image:loc>
      <image:title>Feelings</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398918923428-E2DEO93FHKUWCD6PEDTP/lpvnCS3QlgO8th4tXNTr2y_mZiccZvwuYCbiwyQKI14%2CZWc-aDRFWHD4XKN_0EHgVKRikk32gQYl4gM7_6Cj1WU.jpg</image:loc>
      <image:title>Feelings</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398918926015-TPPYYLTV9Y9080K3Q7FZ/R12efqcO9_24qK5zGMpRBmfnaBnbol14a-zOxD_hMIM%2C1NY2Q4Wv9ZTC_FhbSTRVo9NBSlTvU7xxtRNlpxFQuVo.jpg</image:loc>
      <image:title>Feelings</image:title>
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      <image:title>Feelings</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/help-wanted</loc>
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    <lastmod>2014-05-14</lastmod>
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      <image:title>Help Wanted</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/work</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-12-31</lastmod>
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      <image:title>Selected Previous Projects - Mirror Man &amp; Naked Man Play Rock Paper Scissors</image:title>
      <image:caption>Mirror Man &amp; Naked Man Play Rock Paper Scissors, was a gestural duet about social media echo chambers, performed by Risa Troy and myself at the closing of The Endless and Mobile Beautiful Collapsible Labyrinth on March 17, 2017. The piece was inspired by Facebook's algorithms, and by the work of Georgiy Daneliya and Vladislav Surkov. It did not resolve any problems. Photo credit: Danielle Freakley.</image:caption>
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      <image:title>Selected Previous Projects - Driving Culture</image:title>
      <image:caption>From late-July 2015 through September 2015, I acted as an official "Artist-Ethnographer" within the City of Boston's cultural planning process, Boston Creates. The role felt like something between being an embedded journalist; a spelunker trying to go a bit deeper into arts communities that I knew were refraining from participation in the Boston Creates process; and a curator of crystallized expressions of some of the critical themes and issues that the Boston Creates process brought to the surface through its engagement with members of Boston's arts communities and neighborhoods. During the residency I used a combination of creative exercises to explore the Boston Creates process, including audio recording, performance art techniques and some community engagement practices in environments where I knew Boston Creates could not go. As a culminating project for the residency, I decided to create a design for a city vehicle using the actual handwritten desires expressed by citizens of greater Boston at Boston Creates meetings. I was moved to do this by a conversation with some kids at a youth community discussion where they asked a question directly that I'd heard many adults hint at. The question was this: “I know you are collecting information about what people need and want, but will Julie Burros (Boston's Chief of Arts and Culture) hear exactly what I said? Will she hear my voice if I speak into your recorder? Will she see what I wrote here?” I found this desire for exact words, and the nuances of people's individual voices to be a very compelling piece of the story of the Boston Creates process, so decided to create a pattern based on scans of the pages that communities wrote on during the discussions. The piece, Driving Culture, includes the car and anyone from the city who drives it while they are driving it. When not in use, it will reside on City Hall Plaza and act like a more traditional public artwork. Driving Culture is dedicated to Tracey and Eyou—two Boston teens who came and contributed to the Boston Creates cultural planning process and wanted to know if their exact words would really be heard and seen. In addition to enthusiasm and more formal support received from Boston Creates/The City of Boston, Archipelago Strategies Group, and TDC, this project is grateful for help from ABC Imaging, Alliance Glass &amp; Sign and Shane Mulrooney Architecture + Design. (Photos with view of city in background by Robert Pardo.)</image:caption>
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      <image:title>Selected Previous Projects - Going</image:title>
      <image:caption>Going is a 22-mile long meditation on the paths we make through nature and life, occurring along the Walkill Valley Rail Trail in the Hudson Valley in New York State. Going is a Cultural Crossroads project of Women's Studio Workshop and Chrch Project Space. It received generous underwriting, advice and emotional support from the founders, staff and Summer 2017 interns of Women's Studio Workshop; as well as from the communities along the rail trail, Walkill Valley Rail Trail Association and Walkill Valley Land Trust; and is funded in part by the NEA and NYSCA.</image:caption>
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      <image:title>Selected Previous Projects - Concessions</image:title>
      <image:caption>For two days in October of 2012, I ran a concessions booth (in a beachfront concessions booth that was slated for demolition) as part of Provincetown's 2012 10 Days of Art Festival where I shared 80+/- hand-typed index cards itemizing concessions that I could remember having made at various points in my life with complete strangers. Some concessions were very small or petty, others very large and heavy. I allowed passersby to read through my concessions and answered their questions about them honestly. If they wanted to, visitors to the stand were allowed to take one of my numbered, typed concessions in exchange for letting me document one of theirs to replace it. Each day's collection of cards became basically a collective poem about human weakness. (Index cards, Hermes rocket typewriter, writing, interactions.) Photo credit: Heather Kapplow.</image:caption>
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      <image:title>Selected Previous Projects - Mix &amp; LOVE</image:title>
      <image:caption>Mix &amp; LOVE was part of the Fung Wah Biennial which occurred in transit between New York City, Baltimore, Boston, and Philadelphia in March of 2016. The images of Mix &amp; LOVE seen here are all installation views displaying ephemera from a two-phase performance/engagement piece that occurred as a part of the Biennial. The first piece of the project occurred on a bus ride between Boston and New York City, where I touched each person on the bus, including the driver; invited them to dinner; and discussed their food preferences/allergies with them. The second piece of the project was a dinner party that I hosted in Queens, NY for the bus passengers and guests, where Will Owen and I cooked personal recipes that he had collected from international asylum seekers living in a shelter in Philadelphia. I traced the migration through history and geographically of each ingredient involved in the meal in order to spark a dinner table conversation about the myriad subtle ways that the migration of consumer goods and people touches all of our daily lives. Photo Credit: Lena Hawkins</image:caption>
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      <image:title>Selected Previous Projects - Ovation</image:title>
      <image:caption>An interactive sound and light installation produced in collaboration with Liz Nofziger and featured in the 2015 Illuminus Boston Festival. Using warm lighting and audio recorded the same week from the stage at live concerts by the band Yo La Tengo, Ovation offered everyone the opportunity to feel the swell of enthusiasm that performers like musicians or actors experience when they receive enough cheering and applause to justify an encore or standing ovation. The piece was set in Boston's famous Fenway Park, and allowed participants to step out onto the field one by one or in small groups. Though many of us have given this kind of love to performers or athletes, most of us never have this experience ourselves, so Ovation transfers it back. Just once. Ovation received invaluable assistance from Ian King, Kevin Micka, Georgia Hubley, Ira Kaplan and James McNew. [Video documentation coming.]</image:caption>
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      <image:title>Selected Previous Projects - NO RUSE</image:title>
      <image:caption>In January of 2015 Liz Nofziger and I collaboratively organized an underwater art exhibition of artists' belongings called NO RUSE. Via international and local open calls, we solicited (non-toxic) objects that artists had held on to for a long time to make art with, but had not made anything out of. Then, at a public event on January 11, 2015, we catapulted these objects into the sea at an "installation" event, documenting the process via underwater video camera. Participating artists were asked to submit portraits and stories of their objects and their attachment to them, but were not told anything about the nature of the the exhibition in advance of the "installation" event. We believe NO RUSE is Boston's first underwater art exhibition and have created a commemorative catalog out of the gathered portraits/event documentation. Details about the project and a list of participating artists are below, and PDF version of our catalog is viewable here. And downloadable for free here. (Mixed media, performance/engagement.) Photo credits: Sophia Cacciola &amp; Michael J. Epstein, Goetz Friederichs, Lucas Mulder, Debbie Nadolney and Sarah Rushford.   NO RUSE is a show about not knowing whether something being held onto is a blessing or a burden, and about letting go of things before knowing which is the case. It tries to acknowledge the essence of something's potential importance without any commitment to it. A ruse is a clever trick—like the spell something casts on you when you make space for it in your life. But its origin is a French word referencing the unpredictable path taken by fleeing game—something eluding capture. The show title also plays phonic tribute to Naw Ruz, a Persian new year celebration that emphasizes letting go of the old and making way for the new... NO RUSE features contributions from: Andrew Abrahamson (US), Dirk Adams (US), Craig Deppen Auge (US), Louise Barry (US), Hannah Burr (US), Ashley Billingsley (US), Marie-Hélène Doré (CA), Richard Dorff (US), Michael J. Epstein (US) Isa, Oona &amp; Goetz Friederichs (US), Nolan Fedorow (US), Melissa Nussbaum Freeman (US), Danielle Freiman (US), Brian Christopher Glaser (US), Cydney Gottlieb (US), David Ingenthron (US), Sara M. Ingram (US), Maura Jasper (US), Heather Kapplow (US), Carolyn Lewenberg (US), Ernie Kim (US), Debbie Nadolney (US), Liz Nofziger (US), Midori Okuyama (US), Ted Ollier (US), Klaus Pinter (AT), Sarah Rushford (US), Rebecca Sittler (US), Jan Willett (US).</image:caption>
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      <image:title>Selected Previous Projects - FREE FROM ANXIE</image:title>
      <image:caption>Throughout 2019, I conducted interviews in four cities (Bilbao ES, Zurich CH, Minsk BY, and Aarhus DK) and circulated twelve different surveys in four different languages, for a project called Pure Luxury, inspired by the boom in luxury housing development in Boston where I am based. My plan was to transform this data into objects that people could hold and use to reflect on different facets of luxury experiences—to generate discussion about what these experiences provide us with, and possible ways to attain the same feelings with minimal strain on community integrity and the natural environment. But at the end of 2019, inspired by a technical difficulty during a fabrication process while in residence at BilbaoArte, the portion of Pure Luxury that I presented there ended up focusing in on one particular aspect of my research data: the frequency with which people were reporting that their most luxurious experiences offered some kind of respite from stress, anxiety, pressure or judgement. The objects here, though often made of luxurious materials, all draw attention to this theme, and sparked conversation with visitors about what it means that so many people feel this way. Stay tuned for a more comprehensive exhibition of my research findings from Pure Luxury sometime in 2021. This project received financial support from Index Freiraum, ok16, Flux Factory, ARoS, The Tanne Foundation, The City of Boston’s Artist Opportunity Fund and BilbaoArte. Fishtnk Design Factory, Sarean, Arturo &amp; Javi, Maxtalan and Anari &amp; Maialen also made significant in-kind contributions to my work in Bilbao.</image:caption>
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      <image:title>Selected Previous Projects - FORGETTING THE YEAR</image:title>
      <image:caption>Forgetting the Year explores the strange confusion that many of us experienced in 2021 when trying to talk to each other about “last year”. Especially before Corona restrictions began to lift, it was common for people to get confused in conversations about whether “last year” meant 2019 or 2020. Forgetting the Year collects together our individual experiences of time being distorted by pandemic conditions and translates them into shareable shapes and textures, as well as a live, immersive soundscape produced by the collective actions of the group. The images are used as the basis of a unique, limited edition “calendar” (all participants receive a copy) that expresses a collective sense of how time has shifted and blurred and stands as a symbol for our shared knowledge that a year is not a fixed unit, while celebrating our capacity to find new language, and perhaps new values together. Forgetting the Year was produced by ET4U in Ramme, DK in October 2021 as a part of their TANKEN program. Photo credit: Eiliv Randen Børding, Heather Kapplow [Black &amp; white example images posted on wall with instructions were produced via an online test workshop w/Mobius Artists Group. The top row of images were produced and photographed by Jimena Bermejo and the middle row by Marilyn Arsem.]</image:caption>
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      <image:title>Selected Previous Projects - ALMOST EVERYWHERE</image:title>
      <image:caption>Almost Everywhere is a series of collaborative, audience-participatory explorations produced with Sholeh Asgary, that use text prompts and immersion in sense and process on Zoom (the corporately-oriented technology that rapidly colonized our homes, schools, places of worship and other gatherings during the Coronavirus pandemic) to disambiguate image from experience, and make wider space for the unresolved. Using strategies that bypass conventional communication so that gesture, sound and movement can transmit as it emerges from intuition, our exercises resist their interfaces of transmission, subverting technology’s capacity to contain us. With an eye towards Zoom’s track record of suppressing revolutionary voices, we are modeling possibilities and buying time for things beyond current imagination to emerge. We’re also reminding ourselves that interfaces can be adapted, broken down and changed if their limitations are made visible. In 2020-21, we produced six free-to-the-public experiences. Four were virtual events on the internet hosted by galleries and festivals in NYC, Boston, Oakland/Provincetown and Ann Arbor. And two were two were in-person events, one at a museum and one at an art fair in Denmark. Click on the images that follow to learn about about each of our pieces to date. Additional video, audio and text-based documentation of each project is also available.</image:caption>
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      <image:title>Selected Previous Projects - DIRT BATH</image:title>
      <image:caption>Dirt Bath is inspired by the kinds of baths that birds take in dirt, and by an impulse that letting people immerse themselves sensorially in the smells and textures of topsoil, within the sterile context of a contemporary art museum, might be grounding during post-Covid-lockdown days, and have therapeutic qualities related to the contemplation of personal mortality. Produced collaboratively with Walker Tufts at ARoS Aarhus Kunstmuseum in August 2021 as a part of an ARoS Public artist residency. Dirt Bath is part of an ongoing series of projects that utilize queer sensibilities to investigate dirtyness called Dirty Time. Photo credit: Heather Kapplow</image:caption>
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      <image:title>Selected Previous Projects - Warren, Echo, Salt: A Sleepwalker's Guide to Georges Island</image:title>
      <image:caption>Warren, Echo, Salt: A Sleepwalker's Guide to Georges Island, was produced collaboratively with Caitlin Foley. We were commissioned to design a "disorientation guide" to Georges Island for the "Inside" portion of Inside/Outside which occurred in August of 2016 in the Boston Harbor Islands National Park. Our guide resembled a map in the way it folded and was distributed, but its imagery (based on drawings and photographs we made of details of Georges Island,) were paired with prompts meant to stimulate sensory immersion in rather than spatial orientation to the historically significant site. Photo credit: Misha Rabinovich, Nabil Vega</image:caption>
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      <image:title>Selected Previous Projects - SWEAT IT OUT</image:title>
      <image:caption>Sweat it Out, created in collaboration with Caitlin Foley and Misha Rabinovich, offered free Wintertime public access to a beautiful handmade mobile sauna, along with opportunities to commune around the shared stressor of rapid gentrification in the city of Boston. The sauna experience was extended through an immersive “lounge,” which offered a library, sauna-brewed tea, a changing area and shower, plus many evolving, communally produced projects, such as a live-processed sound feed from the sauna; a bulletin board for sharing community concerns and announcements; a crystal vessel full of communally-produced sweat; sweat prints on Ph-sensitive paper; and a video collection of everyone’s sweaty backs merging into an endless stream of sweaty backs. These environmental elements created a relaxed, colorful atmosphere for informal and professionally facilitated experiences ranging from a custom board game about landlord-tenant relations, to a visioning session imagining alternative futures for Boston, to an ancestor-honoring ceremony that recognized the site’s deep past. The project closed with a sweaty dance party with live DJs. Sweat it Out was set in Fort Point’s Seaport District, where rapid real estate development presented immediate fodder for conversations about Boston’s conflicted desires for growth and authentic local character. The gallery/lounge space was housed in one of Boston’s newest luxury hotels, directly adjacent to the site of the famous Boston Tea Party. Sweat it Out was made possible with funding by the New England Foundation for the Arts’ Creative City Program and received additional support from Boston Cyberarts, Blue Hills Bank, DigBoston, The DS Institute, The Fort Point Arts Community, and The University of Massachusetts at Lowell. Photo credit: Lani Asuncion (except for Polaroids, taken by the artists.)</image:caption>
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      <image:title>Selected Previous Projects - Autolysis</image:title>
      <image:caption>Autolysis (literally self-splitting—this is the name for the first stage of decomposition when a body is buried…) is a site-specific exploration of issues around climate change, plant species adaptation/extinction, and personal mortality through a focus on dirt. Produced collaboratively with Walker Tufts, in June of 2022 for Goethe-Institut Boston’s Studio 170 residency program. In response the Goethe-Institut’s building and the landscape (historical, socio-cultural and ecological) that surrounds it, Autolysis uses installed elements and participatory experiences to open up conversations about personal relationships with the earth and time in a way that emphasizes the actual material of the earth rather than earth with a capital “E”, creating spaces for gentle contemplation of end of life and end of species issues. Autolysis is part of an ongoing series of projects that utilize queer sensibilities to investigate dirtyness called Dirty Time. Photo credits: Heather Kapplow, James Manning, OJ Slaughter.</image:caption>
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      <image:title>Selected Previous Projects</image:title>
      <image:caption>Pseudomorphose, a word from geology that refers to rock formations that look like one kind of rock at the surface, but have transformed into another kind of rock internally over time, was a month-long investigation of the nature of change, undertaken as an artist-in-residence at experimental art space 10b Projects in Jamaica Plain, MA. The project was inspired by an upstairs neighbor I had when I was younger who was Haitian, and cleaned the stairs of our shared triple decker with a very strong smelling ritual wash every day, twice a day. She was changing the space in an invisible way. Inspired by the memory of her labor, I spent the month of April 2023 trying to alter the space of 10b Projects in invisible ways, with the goal of making the site into a powerful engine for social change in Boston, drawing on the past, future and present of the location, and engaging visitors to the space to help with this. I undertook a 12-page list of performative and transformational actions in the space, some alone, some with visitors, and then allowed visitors to contribute their own ideas for actions as well. The actions included things like covering the walls in wheatpasted spells for change written by visitors to the space and then patching, sanding and painting the walls repeatedly until they were clean and white again; embroidering in white onto the space’s white curtains; sleeping overnight in the gallery while a group of co-dreamers around the city tried to hold the same dream-intentions for one night using the techniques of Pauline Oliveros’ partner IONE; changing the smell of the space in different ways; hosting a group singing experience during an eclipse; gold-leafing deeply hidden parts of the space; hosting a day of co-working on things people wanted to change in invisible ways; calling neighborhood birds to temporarily claim the half-indoor/half-outdoor space with bird calls and birdseed; people giving tattoos to each other in the space—so many changes occurred that I could barely keep track of it all. But I audio recorded the whole time each time I was there and then played the sound back from the previous visit during the next one, recording that into the next recording, etc. People described the effect of the sound as feeling like time was completely unfolded, and no longer functioning linearly. They never knew if a cough or the scrape of a chair was from today or last week, and then it started feeling like it could be from tomorrow… Pictured here is a rock that had bright flecks of mica in it, which I overlaid with gold leaf. The project closed with a procession to Franklin Park to place the rock, with its nearly invisible changes, in a location where it could serve as a memorial to a local artist who lost their life there. Pseudomorphose aimed to create invisible but palpable sensations of change for all who participated and for the site itself over time, but also to have conversation about performative vs actual or felt change; about how deep changes happen to, within, and around us; and about how invisible the labor of change often is in the final products of that labor.</image:caption>
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      <image:title>Selected Previous Projects</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1398694578374-DZPN1R2TDC2ZYXM11DWP/undiemodelcrop.jpg</image:loc>
      <image:title>Selected Previous Projects - Civic Engorgement</image:title>
      <image:caption>This interactive project, installed at Art Market Provincetown from June 27 - October 8, 2014, asks for help in testing an experimental premise about political systems: Is it possible that our civic life suffers not because of the fetishization of bureaucracy but because bureaucracy is not fetishized enough? Do we feel alienated from local, regional and federal democratic processes because they fail to arouse us? Civic Engorgement attempts to build more intimacy into our experience of The State by eroticizing the entire zone of things that we think of as civic or political. It's an invitation to take the political VERY personally: to respond to the traditional taunt aimed those who criticize this country's political policies that they should “love it or leave it” by literally loving it. The hope is to invigorate our collective political passions, or at the very least, to make politics seem dirty in a different way than usual... Model: Max Harless</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1581463320508-ULPVPYSI414RMNVVIN13/04_H_Kapplow.jpg</image:loc>
      <image:title>Selected Previous Projects</image:title>
      <image:caption>All Right! (2017)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/maintenance</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399909449316-4U8KS4OTFQZX2RP1SYOM/PLUG.jpg</image:loc>
      <image:title>Maintenance - Maintenance</image:title>
      <image:caption>Between July and September of 2012, I spent time each week providing end-of-life care for Hannah Burr's artwork Fresh Eyes at Boston's Museum of Fine Arts. There was not enough staffing available to attend to the piece's daily needs towards the end of its time there, so I volunteered to perform this role during the last several weeks of the piece's existence. The documentation here includes a few action shots of my performance, some images from the de-installation of Fresh Eyes, and the ephemera of the project: my identification badge, a terrycloth dusting rag full of art-dust, and a few pages from the museum education materials that I used to help me process my experiences. Though I planned the piece with Hannah in May of 2012, right in the middle of this project, in August, my father passed away after many years of ill health. I was originally planning to explore the museum's ability to allot space but not care for Hanna's work, and to perform the service of cleaning it, but the piece ended up being as much about hospice and end-of-life work as cleaning work. The performance documentation is in black and white because I wanted to capture my work in the way that the museum's security cameras would. (Performance.) Photo credit: Hannah Burr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399909449316-4U8KS4OTFQZX2RP1SYOM/PLUG.jpg</image:loc>
      <image:title>Maintenance - Maintenance</image:title>
      <image:caption>Between July and September of 2012, I spent time each week providing end-of-life care for Hannah Burr's artwork Fresh Eyes at Boston's Museum of Fine Arts. There was not enough staffing available to attend to the piece's daily needs towards the end of its time there, so I volunteered to perform this role during the last several weeks of the piece's existence. The documentation here includes a few action shots of my performance, some images from the de-installation of Fresh Eyes, and the ephemera of the project: my identification badge, a terrycloth dusting rag full of art-dust, and a few pages from the museum education materials that I used to help me process my experiences. Though I planned the piece with Hannah in May of 2012, right in the middle of this project, in August, my father passed away after many years of ill health. I was originally planning to explore the museum's ability to allot space but not care for Hanna's work, and to perform the service of cleaning it, but the piece ended up being as much about hospice and end-of-life work as cleaning work. The performance documentation is in black and white because I wanted to capture my work in the way that the museum's security cameras would. (Performance.) Photo credit: Hannah Burr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400080947405-IIRDJ6AVI65TR4SUPTIT/6EDsclHsCQsYnMly.jpg</image:loc>
      <image:title>Maintenance</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400081032704-D2EBAT991E3PMAQEOX99/uEIQbeVGe1_ivFL4.jpg</image:loc>
      <image:title>Maintenance</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400081032242-HAWVYOYYUFW6GN3PZ7BQ/UJWYIrX9MCXoO822.jpg</image:loc>
      <image:title>Maintenance</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400080300779-NV7RM6CS0V489MN815KP/ABOUT_THE_ARTIST.jpg</image:loc>
      <image:title>Maintenance</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400080280983-WDJ13DB2ZUFF5EOHZTLT/ART_DUST.jpg</image:loc>
      <image:title>Maintenance</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400080281516-XBEO3N8FMAYC5D6Q4977/BADGE.jpg</image:loc>
      <image:title>Maintenance</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400080959889-SHYTN8999NAXFAIYZH2X/3LwIyzHoQ_JwfBv8.jpg</image:loc>
      <image:title>Maintenance</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400080986132-9GLF4VHRGRQB1KA0F92S/270oko7EG1N9u6Zu.jpg</image:loc>
      <image:title>Maintenance</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/woix</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399933916560-YRO4U604CZ5PC3TJPOG6/BacksofCardsFromWOIX%28withLN%29+copy.jpg</image:loc>
      <image:title>WOIX - Web Ornament IX</image:title>
      <image:caption>A collaboratively produced alternate reality game commissioned by the LEF Foundation's (now defunct) contemporary work fund for the 2005 Grant Makers in the Arts conference. The game, set in the hotel where the conference was occurring, had participants input words from a deck of playing cards (each designed by a different local artist,) into an online interface to collect tokens that unlocked animated audio stories about artists' experiences making a living and making work in New England. The game was also integrated into the hotel in various ways—for example the hotel's coat of arms on the playing cards and tiny dioramas based on the audio stories in cigar boxes. (Audio, animation, video game, installations, custom deck of playing cards.) Collaborators included: Marc Flury, Michael Lewy, Liz Nofziger, and Thalia Zedek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399933916560-YRO4U604CZ5PC3TJPOG6/BacksofCardsFromWOIX%28withLN%29+copy.jpg</image:loc>
      <image:title>WOIX - Web Ornament IX</image:title>
      <image:caption>A collaboratively produced alternate reality game commissioned by the LEF Foundation's (now defunct) contemporary work fund for the 2005 Grant Makers in the Arts conference. The game, set in the hotel where the conference was occurring, had participants input words from a deck of playing cards (each designed by a different local artist,) into an online interface to collect tokens that unlocked animated audio stories about artists' experiences making a living and making work in New England. The game was also integrated into the hotel in various ways—for example the hotel's coat of arms on the playing cards and tiny dioramas based on the audio stories in cigar boxes. (Audio, animation, video game, installations, custom deck of playing cards.) Collaborators included: Marc Flury, Michael Lewy, Liz Nofziger, and Thalia Zedek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399934472272-RGJO78OL9ONRU3FRK8AH/WOIX+-+1+copy.jpg</image:loc>
      <image:title>WOIX</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399934396803-4Y3JVRXOTIBHEX7JSZ12/WOIX+-+3+copy.jpg</image:loc>
      <image:title>WOIX</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399934271407-FX4TC5PSI48DKXY6WEJ0/WOIX+-+6+copy.jpg</image:loc>
      <image:title>WOIX</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-15</lastmod>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2026/3/21/other-place-in-recalibrate</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/413d4a3a-fc65-444c-b1f6-a231b12ace14/Mobius_Recalibrate_Square+Graphic.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Other Place" in Recalibrate - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2026/3/28/performing-in-whampt-wound</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/29bb969d-61d2-4f08-afa5-bd347e51c514/wh%26t+woundPromoDesign-05.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Performing in wh&amp;amp;t wound - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/11/22/spilling-toxic-tea-included-in-something-fierce-festivalnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/44ebfe4b-c02f-48eb-bf9c-b20f166da78e/spilling+toxic+tea.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Spilling Toxic Tea" Included in Something Fierce Festival&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/10/26/sit-like-a-coil-included-in-wrong-biennale-7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/76859352-2f85-4ef6-9159-58e7b94ce224/KenRinaldo-SyntheticEvolution.png</image:loc>
      <image:title>Recent and Upcoming Events - "Sit Like a Coil" Included in Wrong Biennale 7 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/9/27/vip-table-at-ds4sis-20-questions-for-20-years</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/0f570fd4-c09f-4c87-8b62-b0e2e4d3954e/https___cdn.evbuc.com_images_1096662843_1412253453793_1_original+%281%29.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "VIP Table" at DS4SI's 20 Questions for 20 Years - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/10/together-elsewhere-kapplow-mathis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/4268a92c-01e9-468e-8dd3-6362e746afc0/TE_Flyer_10092025.png</image:loc>
      <image:title>Recent and Upcoming Events - Together Elsewhere: Heather Kapplow and Muda Mathis - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/8/15/bca-open-house</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/ecd3dd17-8725-4b3b-bbc4-7e2fd1efc46d/BCA+Open+House.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Participating in Open Studios at Boston Center for the Arts - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/8/16/work-included-in-squaring-the-circle-mors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/0652fe72-7417-4584-8177-a7dc71fc5421/images.jpg</image:loc>
      <image:title>Recent and Upcoming Events - Work Included in Squaring the Circle – 25 years with ET4U - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/9/2-south-end-open-studios</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/961cc877-4d3b-40c0-9f79-01c2ec205e2a/SEOS.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Participating in 39th Annual South End Open Studios&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/6/8/unnavigable-maps-included-in-rising-festival-in-melbourne</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/a22180ee-9d30-4104-bdd1-82b6a757359a/unnavigable+maps.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Unnavigable Maps Included in Rising Festival in Melbourne - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/5/13/dirty-time-project-included-in-kiosque-de-lin-visible</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-02</lastmod>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/5/3/performing-in-exit-pathways-the-burning-house-at-the-blue-of-high-zeniths</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/3cf5ecb5-50ee-4791-a692-173d7a5e6d5d/Exit+Pathways.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Performing in "Exit Pathways: The Burning House" at The Blue of High Zeniths - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/4/27/a-new-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/5f6283dd-4ae1-4f4e-884e-67950c1872f8/unnamed.jpg</image:loc>
      <image:title>Recent and Upcoming Events - A New Future - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/3/29/validated-at-states-of-emergence-march-29-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/7dbbd612-6151-4e89-857d-30467624884d/square+flyer_states+of+emergence.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Validated" at States of Emergence March 29, 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/4/2/taking-dictation-included-in-2025-supermarket-art-fair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/f833cdc2-9c81-4bcb-a902-95d49c224003/f5f0bd5f70a3ffcbbed3c0b74ea0d0dc.png</image:loc>
      <image:title>Recent and Upcoming Events - "Taking Dictation" Included in 2025 SUPERMARKET Art Fair - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/2/17/open-call-for-slay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/28c55bb9-a259-4aec-ba3c-d8c306345def/1.jpg</image:loc>
      <image:title>Recent and Upcoming Events - Open Call for SLAY! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2025/1/31/everything-is-an-archive-at-tufts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/a1a64ebe-a44f-4f52-be87-e163b6274b6c/YD1943A.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Everything is an Archive" included in Undoing the Archive - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2024/11/10/performing-in-please-say-by-danielle-freakley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/3353496b-8272-4890-b342-6d293a54fa75/Please+Say.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Performing in "Please Say" by Danielle Freakley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2024/10/18/thinker-in-residence-art-in-odd-places</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/193f73b6-2da3-4675-bb97-de7369f206e6/AIOP.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - “Thinker-in-Residence” for the 2024 edition of Art in Odd Places: CARE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2024/7/the-golden-colonel-pslm6</loc>
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    <lastmod>2024-07-01</lastmod>
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      <image:title>Recent and Upcoming Events - You Only Get One Body - Make it stand out</image:title>
      <image:caption>Graphic by Itala Aguilera</image:caption>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2024/7/the-golden-colonel</loc>
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    <lastmod>2024-07-05</lastmod>
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      <image:title>Recent and Upcoming Events - The Golden Colonel Retirement Home for Artists - Make it stand out</image:title>
      <image:caption>Graphic by Itala Aguilera</image:caption>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2024/5/9/a-small-difference</loc>
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    <lastmod>2024-05-13</lastmod>
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      <image:title>Recent and Upcoming Events - "A Small Difference" included in Saturn Return - Make it stand out</image:title>
      <image:caption>Detail from Wieteke Heldens’ Green is a healing color/ Green doesn't sell/Green Legend</image:caption>
    </image:image>
  </url>
  <url>
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    <priority>0.5</priority>
    <lastmod>2024-05-13</lastmod>
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      <image:title>Recent and Upcoming Events - tK Reunites to Play Sloppy Heads Residency at Mama Tried - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2024/4/25/emoji-reveal-party</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-09</lastmod>
    <image:image>
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      <image:title>Recent and Upcoming Events - Dirty Time Emoji Reveal Party - Make it stand out</image:title>
      <image:caption>Ed Woodham eats mudpie at Dirty Signs closing event, September 30 2023.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2024/2/27/studio-170-showcase-and-info-session-featuring-chaia-and-heather-kapplow</loc>
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    <image:image>
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      <image:title>Recent and Upcoming Events - Studio 170 Showcase and Info Session Featuring Chaia and Heather Kapplow - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2024/2/artist-in-residence-open-house-at-wedding-cake-house-providence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-01</lastmod>
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      <image:title>Recent and Upcoming Events - Open Studio Event at Wedding Cake House Residency Providence RI - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2024/1/13/deathbed-dreams-getting-somewhere-important-phase-i</loc>
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      <image:title>Recent and Upcoming Events - Deathbed Dreams  (Getting Somewhere Important? Phase I) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2023/11/15/dirty-signs-workshop-at-urban-soils-symposium-november-15-17</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-14</lastmod>
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      <image:title>Recent and Upcoming Events - Dirty Signs Workshop at Urban Soils Symposium November 15-17 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2023/10/23/walking-as-practice-festival-at-bjrk-konstnod</loc>
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    <priority>0.5</priority>
    <lastmod>2023-11-07</lastmod>
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      <image:title>Recent and Upcoming Events - Participating in Walking as Practice at Björkö Konstnod - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2023/11/5/getting-bent-included-in-evaporate-live-art-festival-boston</loc>
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      <image:title>Recent and Upcoming Events - Getting Bent Included in Evaporate Live Art Festival, Boston - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/dirty-signs-on-governors-island</loc>
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    <lastmod>2023-09-27</lastmod>
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      <image:title>Recent and Upcoming Events - Dirty Signs on Governors Island - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2023/4/3/pseudomorphose-at-10b</loc>
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    <lastmod>2023-04-24</lastmod>
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      <image:title>Recent and Upcoming Events - "Pseudomorphose" at 10b - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/seeking-the-source-walking-experience-sunday-march-19-2023</loc>
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      <image:title>Recent and Upcoming Events - "Seeking the Source" Walking Experience Sunday March 19, 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
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      <image:title>Recent and Upcoming Events - Dirty Time Norway Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
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      <image:title>Recent and Upcoming Events - "Seeking the Source" in Waterlines at Somerville Museum - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
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      <image:title>Recent and Upcoming Events - Oracle Dumplings at TANKEN (EXTRA) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
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      <image:title>Recent and Upcoming Events - Seeking the Source Workshop - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
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      <image:title>Recent and Upcoming Events - Dirty Time Installation on Governors Island - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Recent and Upcoming Events - Dirty Time on Governors Island - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Recent and Upcoming Events - "QPL" at AMP Gallery in Provincetown - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Recent and Upcoming Events - "Contact Point" Included in Alpha60 Virtual Reality Program on Emerald Necklace - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
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      <image:title>Recent and Upcoming Events - "Auscultation" Included in One Minute Solos - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
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      <image:title>Recent and Upcoming Events - "Doing Nothing Together" 2022 Edition - Make it stand out</image:title>
      <image:caption>Doing Nothing Together w/Carlos in Aarhus, DK, 2021. Photo by Catalina Alvarez.</image:caption>
    </image:image>
  </url>
  <url>
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    <lastmod>2022-08-22</lastmod>
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      <image:title>Recent and Upcoming Events - "Autolysis" at the Goethe-Institut Boston's Studio 170 - Make it stand out</image:title>
      <image:caption>Detail from previous collaboration with Walker Tufts, Dirt Bath, 2021.</image:caption>
    </image:image>
  </url>
  <url>
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    <changefreq>monthly</changefreq>
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      <image:title>Recent and Upcoming Events - (RE)VERB Audio Augmented Reality 'Zine Released on Gesso App March 10 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
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      <image:title>Recent and Upcoming Events - Micro-Performance at Linda Montano's 80th Birthdayrama - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
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    <priority>0.5</priority>
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      <image:title>Recent and Upcoming Events - i see the sun, i feel the sun - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
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      <image:title>Recent and Upcoming Events - "A Non-Guided Audio Walk" Featured in (RE)VERB Magazine Release Event - Make it stand out</image:title>
      <image:caption>Photo by Antoinette Burchill for A Non-Guided Audio Walk</image:caption>
    </image:image>
  </url>
  <url>
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    <lastmod>2021-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1634061005334-7KSL9DSFH2HZRB2SMQIM/Flying+Boulders2.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Time, We're Not Lost Without You" at InPUBLIC Festival 2021 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/10/29/forgetting-the-year-at-tanken-in-ramme</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1634096188878-9JM782PHQVL698Z160AD/image+2.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Forgetting the Year" at TANKEN in Ramme - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/10/3/contact-point-included-in-alpha60-virtual-reality-program-on-emerald-necklace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1634096317816-HVHJG75GTHO5BJIRZDVI/Promo+Image.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Contact Point" Included in Alpha60 Virtual Reality Program on Emerald Necklace - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/8/4/doing-nothing-together-amp-the-other-question-at-aros-public</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1628067132822-0S9XLX3GJ3JT8YJ7LRVY/2_Somewhere_Nowhere_Here.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Doing Nothing Together" &amp;amp; "The Other Question" at ARoS Public - Make it stand out</image:title>
      <image:caption>Danes doing very little in Nissum Fjord, during Meetings Festival in 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/6/26/breakaway-at-recalling-bitterness-this-saturday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1624392198554-L4I5SERKU64QOV24N8UD/breakaway.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Breakaway" at "Recalling Bitterness" this Saturday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/6/20/breakaway-at-missing-luncheon-this-sunday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1624028150972-4OSE8B94UST4AB51096J/20210615_235432.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Breakaway" at "Missing Luncheon" this Sunday - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/7/1/doing-nothing-together-2021-edition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1623861201187-97DJZQPCLDJU7K0DVFXN/Doing+Nothing+Enhanced.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Doing Nothing Together" 2021 Edition - Make it stand out</image:title>
      <image:caption>Orange lounge chairs in quasi-legal parking lot in Tiverton, RI (USA). Not pictured: balled up disposable diaper just outside of frame.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/6/11/analog-hair-animator-available-via-womens-studio-workshop-fundraiser</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1623089521667-QL1SCU50DMLBJR5BYGNI/Heather-Kapplow-25_002.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Analog Hair Animator" Available via Women's Studio Workshop Fundraiser - Make it stand out</image:title>
      <image:caption>Analog Hair Animator, mixed-media participatory sculpture, 2021. Photo by Alec Logan Smith.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/5/31/breakaway-included-in-din-din-39th-street-block-party</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1622607919672-R9VQDBVXPWRVNSHFR4E5/dindin_main_social_insta.png</image:loc>
      <image:title>Recent and Upcoming Events - "Breakaway" Included in Din Din 39th Street Block Party - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/5/31/breakaway-included-in-din-din-at-flux-factory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1622756248957-6JTPC0TAP88UA6ZIRTIC/HKapplow_Whole_Plate_Color_Corrected.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Breakaway" Included in Din Din at Flux Factory - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/5/15/tree-talk-free-tree-therapy-program-included-in-urban-tree-festival-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1620654770630-0MNB2CEGJNIDMKA9XUC2/TREE_TALK_LOGO.png</image:loc>
      <image:title>Recent and Upcoming Events - "Tree Talk" Free Tree Therapy Program Included in Urban Tree Festival London</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/5/12/new-participatory-piece-included-in-mit-list-center-for-the-arts-summer-series-this-way</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1620653144519-QHVD66ARPR4O7T44GGIN/ThisWay_no_text-02.jpg</image:loc>
      <image:title>Recent and Upcoming Events - New Participatory Piece included in MIT List Center for the Arts Summer Series "This Way"</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/5/7/new-tk-album-sunday-last-released-on-wrong-whole-archival-bureau</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1620652746929-2UBVN75FWDDBJ324O973/a2080170760_16.jpg</image:loc>
      <image:title>Recent and Upcoming Events - New tK Album "Sunday Last" Released on Wrong Whole Archival Bureau</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/4/19/tree-talk-call-for-beta-testers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1618863764247-X5WDOO7J6UQ68DOMDT78/treecanopyyy.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Tree Talk" [Call for Beta Testers!]</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/3/28/maybe-youre-a-peach-tree-maybe-at-ann-arbor-film-festival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1615840936054-9WOW44Y3HDJUPVE4FS2R/Tree.jpg</image:loc>
      <image:title>Recent and Upcoming Events - Maybe You're A Peach Tree Maybe at Ann Arbor Film Festival</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2021/1/25/greifen-chupetes-included-in-next-now-at-montserrat-college-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1610726877473-R289OLASJHWB5DRD5N33/Chupetes.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Greifen (Chupetes)" Included in NEXT NOW at Montserrat College of Art</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2020/11/3/when-you-hear-the-whistle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1603725833792-YL6DETI6IYS38GL7R180/Whistle+blowing+steam+on+green+background.jpg</image:loc>
      <image:title>Recent and Upcoming Events - When You Hear The Whistle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1603726138308-BAU4VVTDGVHY3P6BOH5N/DoubleAmpLogoZoom.jpg</image:loc>
      <image:title>Recent and Upcoming Events - When You Hear The Whistle</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2020/8/13/second-sight-is-water</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1596263193723-GOEIGGBIRA0LKUXL6EEK/webimagefor+SISW.jpg</image:loc>
      <image:title>Recent and Upcoming Events - Second Sight is Water</image:title>
      <image:caption>Work in progress image from Second Sight is Water, 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2020/7/17/audio-i-recorded-in-minsk-included-in-new-matmos-album-amp-video</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-17</lastmod>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2020/5/28/tk-releases-quarta-voce-on-wrong-whole-archival-bureau</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1590765544014-KVP9QWIZFB7J4A9DVAOP/0020236977_10.jpg</image:loc>
      <image:title>Recent and Upcoming Events - tK Releases "Quarta Voce" on Wrong Whole Archival Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1590765594515-4TLLRU2UDR4AVDQF432I/0020236983_10.jpg</image:loc>
      <image:title>Recent and Upcoming Events - tK Releases "Quarta Voce" on Wrong Whole Archival Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1590766601883-HCO4U92FR39351YJC2HL/tK+-+Thalia+Zedek%2C+Heather+Kapplow%2C+Phil+Milstein+%28photo+by+Rahul+Nair%2C+courtesy+Non-Event%29.jpg</image:loc>
      <image:title>Recent and Upcoming Events - tK Releases "Quarta Voce" on Wrong Whole Archival Bureau</image:title>
      <image:caption>Photo by Rahul Nair, courtesy Non-Event.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2020/5/14/flux-thursday-weird</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1589899290918-M6J3DHL60K4NI7Q6IHHS/Tooth.jpg</image:loc>
      <image:title>Recent and Upcoming Events - Flux Thursday: Weird</image:title>
      <image:caption>Artist Kathie Halfin reflects on the nature of pandemic time while holding her traveling tooth during Weird.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2020/3/15/walking-in-the-time-of-covid-19</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1584288216750-415PFMYPLKT55EF9CQ6R/crane.gif</image:loc>
      <image:title>Recent and Upcoming Events - Walking in the Time of Covid-19</image:title>
      <image:caption>(Animation of Eadweard Muybridge’s motion study of a crane walking.)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2020/1/23/greifen-chupetes-included-in-shimmer-at-boston-center-for-the-arts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1579728847962-A0YYF1361DZFDPV6GXFI/20191205_194114.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Greifen (Chupetes)" Included in SHIMMER at Boston Center for the Arts</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2020/1/3/minimalist-postcard-included-in-visual-aids-annual-auction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1576145393312-XNPKXJ4DD0SBTG5EMWLV/PFTE22_ID_BLACK_191112_215022.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Minimalist Postcard" Included in Visual AIDS' Annual Auction</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2019/12/16/the-movement-of-intuition-screening-on-bcec-video-wall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1575938764557-3WZPSUGPU0PZB3UH30KY/MOI.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "The Movement of Intuition" Screening on BCEC Video Wall</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2019/12/5/bilbaoarte-open-studios</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1575321870378-ESYLWNE3CUKVNIAAVV43/INVITACIO%CC%81N.jpg</image:loc>
      <image:title>Recent and Upcoming Events - BilbaoArte Open Studios</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2019/11/12/greifen-chupetes-included-in-mem-festival-in-bilbao</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1573171383142-F8NYD33V82FP7OPVSWLO/75371558_10206757112964413_3355031024873504768_o.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Greifen (Chupetes)" Included in MEM Festival in Bilbao</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2019/11/1/love-that-dirty-water-included-in-boston-center-for-the-arts-26th-drawing-show</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1572526874327-3FABWIIQFYESD8M8K2X3/72179515_10157587934686358_8366887336771846144_o.jpg</image:loc>
      <image:title>Recent and Upcoming Events - "Love, That Dirty Water" Included in Boston Center for the Arts 26th Drawing Show</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2019/10/30/luxury-study-bilbao-edition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1571517645073-O4G0MLH4POAWVRH93Q67/Celebracio%CC%81n_de_lujo_Facebook_LowRes.jpg</image:loc>
      <image:title>Recent and Upcoming Events - Luxury Study: Bilbao Edition</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2019/9/19/two-works-included-in-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1568295476499-N06A6O5Q7Y1W4RH757UV/Darkened.jpg</image:loc>
      <image:title>Recent and Upcoming Events - Two Works Included in Резиденция Чайного Гриба Комбуча-Достоевский</image:title>
      <image:caption>Still from I Think I Know Something But I Don’t Know What It Is (Video, 2019.)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2019/9/4/luxury-study-aarhus-edition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1567524026130-OZRZZTQQGPSD2GCH8S6D/Ultimate_Luxury_72DPI+%281%29.jpg</image:loc>
      <image:title>Recent and Upcoming Events - Luxury Study: Aarhus Edition</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2019/8/31/somewherenowherehere-at-meetings-festival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-03</lastmod>
    <image:image>
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    <lastmod>2019-08-20</lastmod>
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    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2019/8/15/pure-luxury-iron-dust-in-prototype-at-alterworks-studios</loc>
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    <lastmod>2019-08-12</lastmod>
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    <lastmod>2019-08-08</lastmod>
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    <lastmod>2019-08-20</lastmod>
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    <lastmod>2019-07-11</lastmod>
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    <lastmod>2019-07-11</lastmod>
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    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2019/4/23/tk-at-non-eventsmfa-library-sounds-with-nadah-el-shazly-and-joseph-allred</loc>
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    <lastmod>2019-04-23</lastmod>
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    <lastmod>2019-03-19</lastmod>
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    <lastmod>2019-02-10</lastmod>
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    <lastmod>2019-02-10</lastmod>
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    <lastmod>2019-02-14</lastmod>
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    <lastmod>2019-02-10</lastmod>
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    <lastmod>2018-11-18</lastmod>
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    <lastmod>2019-07-11</lastmod>
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    <lastmod>2019-07-11</lastmod>
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    <lastmod>2018-08-28</lastmod>
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    <lastmod>2018-05-15</lastmod>
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    <lastmod>2018-03-16</lastmod>
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    <lastmod>2018-04-19</lastmod>
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  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2017/6/27/going-opening-art-walk-at-womens-studio-workshop</loc>
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    <priority>0.5</priority>
    <lastmod>2017-06-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1498619900348-R50DFBO59J0BFD63BS14/DSC08003.JPG</image:loc>
      <image:title>Recent and Upcoming Events - "Going" Opening &amp; Art Walk at Women's Studio Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2017/6/30/going-installed-on-walkill-valley-rail-trail</loc>
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    <priority>0.5</priority>
    <lastmod>2017-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1498619105618-5LP3XFEQDFX90ZOB3G5E/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Going" Installed on Walkill Valley Rail Trail</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2017/6/13/slide-talk-at-womens-studio-workshop</loc>
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    <priority>0.5</priority>
    <lastmod>2017-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1497323757711-VMBA813B83HSKJGZPXX7/%252814%2529WSW-ext.jpg</image:loc>
      <image:title>Recent and Upcoming Events - Slide Night at Women's Studio Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2017/6/1/forest-for-the-tree-at-2017-art-ramble</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1495679679214-K4LVA5X0JP1XI2OG3I24/forest4thetree</image:loc>
      <image:title>Recent and Upcoming Events - "Forest For The Tree" at 2017 Art Ramble</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2017/4/20/speaking-on-how-to-make-site-specific-art-panel-at-the-umbrella</loc>
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    <priority>0.5</priority>
    <lastmod>2017-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1491243730808-U0HJOA4MSB0EZ2LW34M3/image-asset.png</image:loc>
      <image:title>Recent and Upcoming Events - Speaking on "How to Make Site-Specific Art" Panel at The Umbrella</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2017/3/17/mirror-man-naked-man-play-rock-paper-scissors-at-embcl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1488644039305-UU2MC7I3RXZOXC7RSEPQ/image-asset.png</image:loc>
      <image:title>Recent and Upcoming Events - "Mirror Man &amp; Naked Man Play Rock Paper Scissors" at E.M.B.C.L.</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2017/1/31/hermeneutic-cycle-three-phases-in-coded-at-lesley-university</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1484143667099-4IC490G1ZXJ0PE60F8FD/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Hermeneutic Cycle: Three Phases" in Coded at Lesley University</image:title>
      <image:caption>Detail from sketch of "Hermeneutic Cycle: Three Phases"</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/11/7/96-franklin-in-group-show-at-crossings-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1475943639691-VYQL60LR7SQRCLLC3Q5P/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "96 Franklin" in Group Show at Crossings Gallery</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/10/1/behind-the-agriculture-at-somerville-agricultural-festival</loc>
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    <priority>0.5</priority>
    <lastmod>2016-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1474990061223-CSNR2I4Z5DDGMJQ8G6HW/image-asset.png</image:loc>
      <image:title>Recent and Upcoming Events - CANCELLED!! "Behind the AgriCulture" at Somerville AgriCultural Festival</image:title>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/9/29/performing-what-at-panoply-performance-laboratory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1472665232247-18KGCX2K3HAXTPZVWAJ0/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Performing "What?!?!" at Panoply Performance Laboratory</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/9/2/two-untitled-mixed-media-pieces-in-the-queens-correspondance-school-did-not-die</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1472664503558-WI00314K5W3XGADIV8ZZ/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Two Untitled, Mixed Media Pieces in The Queens CorrespondAnce School [did not die]</image:title>
      <image:caption>Photo Credit: The Queens CorrespondAnce School</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/9/1/performing-in-paul-ramirez-jonas-public-trust</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1474985617114-D6FFXUDYAKSTOVCA5D1Z/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Performing in Paul Ramirez Jonas' "Public Trust"</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/8/18/microburst-at-blank-slate-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1470022082117-23ZOTJ8M69KQQOJQXALF/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Microburst" at Blank Slate Exhibition</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/8/13/warren-echo-salt-at-insideoutside</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1467123415300-W7UNMD9WWC8OJ86F56GC/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Warren, Echo, Salt" at Inside/Outside</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/8/5/i-want-to-feel-comfortable-here-but-i-dont-think-i-ever-will-at-you-think-its-but-its-really-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1470144681189-I4Q0NBVFOF0Z9W766ELL/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "I want to feel comfortable here, but I don't think I ever will." at You Think It's_____, But It's Really ______.</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/6/27/nothing-to-see-here-move-along-at-flesh-crisis-performance-festival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1472662974342-X5LBPLJV2Q3FM7HQTG5G/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Nothing to see here, move along" at FLESH CRISIS Performance Festival</image:title>
      <image:caption>Photo Credit: Emma Penrose</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/6/10/potty-oracle-at-amp-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1466207284486-LZI8P9AEMFOOUVAWZX6K/image-asset.png</image:loc>
      <image:title>Recent and Upcoming Events - "Potty Oracle" at AMP Gallery</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/5/14/petitions-to-poseidon-at-tiny-tall-ships-festival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1461698939358-ZUUXN9E0V9YB6CIMNYZD/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Petitions to Poseidon" at Tiny Tall Ships Festival</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/3/22/mix-love-installation-at-fung-wah-biennial-exhibit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1459311241527-DKFWIEM3FSOHSTZ7H806/fungwahbiennial.gif</image:loc>
      <image:title>Recent and Upcoming Events - "Mix &amp; Love" Installation at Fung Wah Biennial Exhibit</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/3/10/mix-love-a-meal-for-weary-travelers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1457160758189-1MTD7AM9YXOSQ5TTDRGL/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Mix &amp; Love: A Meal for Weary Travelers"</image:title>
      <image:caption>Photo: Will Owen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2016/3/5/mix-love-and-no-ruse-tour-are-part-of-fung-wah-biennial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1457068821642-9YNSG0Z37G2E9TXE0XKM/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Mix &amp; Love" and a "NO RUSE" Tour are Part of Fung Wah Biennial</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/12/16/days-after-the-darkest-day-at-allstonbrighton-neighborhood-exhbition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1449871741454-YWAU9LD67DBR9EV76UJF/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Days After the Darkest Day" in Mass Convention Center Show</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/11/2/driving-culture-featured-at-boston-creates-town-hall-2</loc>
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    <priority>0.5</priority>
    <lastmod>2015-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1446260373423-I3Z9IKNA9MA3YMOII8B1/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Driving Culture" Featured at Boston Creates Town Hall 2</image:title>
      <image:caption>Driving Culture on City Hall Plaza</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/11/20/water-at-spaces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1443792978027-D35U7QLCBTZX9GA5D4A5/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "WATER" at SPACES' "People's Museum of Revisionist Natural History"</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/9/30/speaking-on-art-week-boston-panel-change-connection-and-community</loc>
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    <priority>0.5</priority>
    <lastmod>2015-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1443616504927-JDLEYBEWO850TAEIST4L/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Speaking on Art Week Boston Panel: Change, Connection and Community</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/9/18/flabby-at-24th-annual-drawing-show-at-the-bca</loc>
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    <priority>0.5</priority>
    <lastmod>2015-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1442549518593-Y2IXMA6OOTZ7NNFWPPD0/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Flabby" in Feelers Show at The BCA</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/9/15/ovation-at-illuminus-boston-2015</loc>
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    <priority>0.5</priority>
    <lastmod>2015-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1444446006593-7X7SXW6AHYBTVEUZG705/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Ovation" at Illuminus Boston 2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/9/26/just-one-second-in-1-minute-pieces-at-mobius</loc>
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    <priority>0.5</priority>
    <lastmod>2015-09-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1441417550661-6DCLCFSEWJCS9LTJ56L9/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Just One Second..." in 1 MINUTE PIECES at Mobius</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/8/8/eau-d-wilderness-grove-at-art-grove-in-franklin-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-09-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1438493657801-W7ZOPLYYRE7BEEQA7WGV/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Eau D' Wilderness Grove" at Art Grove in Franklin Park</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/7/22/art-grove-kick-off-party-sam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437609648081-4GFVJJH8ZV8MHZLAROID/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Art Grove Kick-Off Party @  Samsøn</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/7/24/days-after-the-darkest-days-at-amp-gallery-opening-reception-july-24</loc>
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    <priority>0.5</priority>
    <lastmod>2015-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437402859634-1HTUEJ0PWDWV1C34TJAO/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Days After the Darkest Days" at AMP Gallery: Opening Reception July 24</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/7/20/days-after-the-darkest-day-at-art-market-provincetown</loc>
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    <priority>0.5</priority>
    <lastmod>2015-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1437402435927-95Q2PVVXQWXEQM6O9WN6/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Days After the Darkest Day" at Art Market Provincetown</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/7/18/catfishing-in-the-fort-point-channel-garage</loc>
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    <priority>0.5</priority>
    <lastmod>2015-07-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1436836376858-SJDJLQDM6R9WW4TRVE43/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Catfishing" in the Fort Point Channel Garage</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/7/16/catfishing-at-outside-of-the-box-festival</loc>
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    <priority>0.5</priority>
    <lastmod>2015-07-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1436836138225-HYWBDI0ODRBO12JWMN01/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Catfishing" at Outside of The Box Festival July 16 &amp; 17</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/5/27/weather-smeather-on-strobe-network</loc>
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    <priority>0.5</priority>
    <lastmod>2015-06-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1432730920798-3MISW0WGTIEMDM7TQ8SK/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Weather Shmether" on STROBE NETWORK</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/6/13/cooking-at-menu-for-mars-supper-clubs-test-kitchen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1432731139069-UX4IWJISM3A4AP0PQFRN/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Cooking at MENU FOR MARS SUPPER CLUB's Test Kitchen</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/2/13/female-reader-on-kawaras-one-million-years-at-guggenheim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-02-10</lastmod>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/2/1/in-residence-at-the-residency-for-artists-on-hiatus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1422822540511-IF9W4L8WN93KD3ZXT7S4/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - In Residence at the Residency for Artists on Hiatus</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/1/17/last-gasp-radio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1420641210684-C7DI5JT1WJV7A6A40L9Z/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Last Gasp Radio" at BOSTON DOES BOSTON 8</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/1/23/acclimation-included-in-redux-at-center-for-book-arts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-01-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1420640618167-K58WU6RVG2R6FDNV10B9/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Acclimation" included in ‘REDUX’ at Center For Book Arts</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/1/24/20-questions-at-panoply-performance-laboratory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-01-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1420414692783-Q2P88PGIV1G5LAECEON5/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "20 Questions" at Panoply Performance Laboratory</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/1/30/wws-in-visual-aids-benefit-show-postcards-from-the-edge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1420413414040-SX2V5PHN2P7YM27K1J62/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "W.W.S." in Visual AIDS Benefit Show POSTCARDS FROM THE EDGE</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2015/1/11/no-ruse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-01-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1418773171475-IQ6SXS6965IMYL877C27/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "NO RUSE" Installation and Opening</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2014/11/27/la-mechanique-des-fluides-included-in-net-work-program-at-platform</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1416777082115-AYRN63IF648MTN9Z9VY7/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "La Mechanique Des Fluides" included in "Net Work" Program at PLATFORM</image:title>
      <image:caption>Gretta Louw's curated program of videos "Net Work" at PLATFORM in Munich, DE If you happen to find yourself in Munich Germany between November 27, 2014 and December 12, 2014, stop by PLATFORM Gallery to see (and scan some hot QR code) from a new remix of my 2008 video short La Mechanique Des Fluides which will be screening on a big block of monitors along with many other videos by and about artists that use the internet as a part of their artwork.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2014/6/27/civic-engorgement-at-art-market-provincetown</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1401147876560-KZ1GWK5W6AB81GMLJD88/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Civic Engorgement" at Art Market Provincetown</image:title>
      <image:caption>Model: Max Harless.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2014/6/4/talking-on-how-we-get-by-panel-at-lesley-university</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1401305077406-2E0B1B7RD5UTXFFRLMEX/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Talking on "How We Get By" Panel at Lesley University</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2014/5/29/feelings-closing-party</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400774342723-7JWDNB1OJF2UQUDA6LQG/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Feelings" Closing Party</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2014/5/3/taste-in-art-included-in-you-made-it-exhibit-at-flux-factory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1400698821382-NGXJPI42ZFPF5Q4XCP6P/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - "Taste in Art" Included in YOU MADE IT! Exhibit at Flux Factory</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2014/5/16/final-performance-of-taste-in-art-at-open-engagement-conference</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399912349422-NX19CO37C2XOX1ANCXAE/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Final Performance of "Taste in Art" at Open Engagement Conference</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/recent-and-upcoming-events/2014/5/13/pancake-breakfast-at-broadway-bicycle-school</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1399911077762-CN0GXOM9AGGYO277N10G/image-asset.jpeg</image:loc>
      <image:title>Recent and Upcoming Events - Pancake Breakfast at Broadway Bicycle School</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/la-mechanique-des-fluides</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1416362771370-05SX0R17UYRATIA439AQ/image-asset.jpeg</image:loc>
      <image:title>La Mechanique Des Fluides - LA MECHANIQUE DES FLUIDES</image:title>
      <image:caption>If you have found this page, you scanned a bar code created for The Net Work Compendium, a 2014 curatorial project of Gretta Louw's. With Gretta, I decided to show a very limited, altered version of my project La Mechanique Des Fluides within The Net Work Compendium as an introduction to one aspect of what I do as an artist, which is use a wide variety of engagement practices that require people to dig deeper and experience whatever theme I am exploring more viscerally. Though posted here with audio, La Mechanique Des Fluides is typically screened silently in a public setting. Instead of recorded sound, the text is read aloud into a microphone by a volunteer from the audience. The attempt to read a rather hard to read bit of text, in front of a crowd, without rehearsal, often in the dark, while constantly looking up to see if the film has stopped playing is an integral part of the (feminist) piece. The text is from page 112-13 of Catherine Porter's 1985 translation of Luce Irigaray's This Sex Which Is Not One. It reads as follows: "Woman never speaks the same way. What she emits is flowing, fluctuating, Blurring. And she is not listened to, unless proper meaning (meaning of the proper) is lost. Whence the resistances to that voice that overflows the 'subject'. Which the 'subject' then congeals, freezes, in its categories until it paralyzes the voice in its flow. 'And there you have it, Gentlemen, that is why your daughters are dumb.' Even if they chatter, proliferate pythically in works that only signify their aphasia, or in the memetic underside of your desire. And interpreting them where they exhibit only their muteness means subjecting them to a language that exiles them at an ever increasing distance from what perhaps they would have said to you, were already whispering to you. If only your ears were not so formless, so clogged with meaning(s), that they are closed to what does not in some way echo the already heard. Outside of this volume, already circumscribed by the signification articulated in (the father's) discourse nothing is: awoman. Zone of silence." Heather Kapplow © 2008 (All rights reserved.) Credits: Made by Heather Kapplow, Starring Jennifer Camper and Beth Heinberg, Voiceover by Katya Gorker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1416362771370-05SX0R17UYRATIA439AQ/image-asset.jpeg</image:loc>
      <image:title>La Mechanique Des Fluides - LA MECHANIQUE DES FLUIDES</image:title>
      <image:caption>If you have found this page, you scanned a bar code created for The Net Work Compendium, a 2014 curatorial project of Gretta Louw's. With Gretta, I decided to show a very limited, altered version of my project La Mechanique Des Fluides within The Net Work Compendium as an introduction to one aspect of what I do as an artist, which is use a wide variety of engagement practices that require people to dig deeper and experience whatever theme I am exploring more viscerally. Though posted here with audio, La Mechanique Des Fluides is typically screened silently in a public setting. Instead of recorded sound, the text is read aloud into a microphone by a volunteer from the audience. The attempt to read a rather hard to read bit of text, in front of a crowd, without rehearsal, often in the dark, while constantly looking up to see if the film has stopped playing is an integral part of the (feminist) piece. The text is from page 112-13 of Catherine Porter's 1985 translation of Luce Irigaray's This Sex Which Is Not One. It reads as follows: "Woman never speaks the same way. What she emits is flowing, fluctuating, Blurring. And she is not listened to, unless proper meaning (meaning of the proper) is lost. Whence the resistances to that voice that overflows the 'subject'. Which the 'subject' then congeals, freezes, in its categories until it paralyzes the voice in its flow. 'And there you have it, Gentlemen, that is why your daughters are dumb.' Even if they chatter, proliferate pythically in works that only signify their aphasia, or in the memetic underside of your desire. And interpreting them where they exhibit only their muteness means subjecting them to a language that exiles them at an ever increasing distance from what perhaps they would have said to you, were already whispering to you. If only your ears were not so formless, so clogged with meaning(s), that they are closed to what does not in some way echo the already heard. Outside of this volume, already circumscribed by the signification articulated in (the father's) discourse nothing is: awoman. Zone of silence." Heather Kapplow © 2008 (All rights reserved.) Credits: Made by Heather Kapplow, Starring Jennifer Camper and Beth Heinberg, Voiceover by Katya Gorker</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/last-gasp-radio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421520389366-L7XEQJ8ZQ974JW4NUJHQ/LGRlogo.IMG.jpg</image:loc>
      <image:title>Last Gasp Radio - Last Gasp Radio</image:title>
      <image:caption>In late-2014 Sutton and Kapplow started discovering discarded devices at second hand stores, each with the same archaic symbol embedded in it in some way.  These objects, when "tuned" by the artists using materials lying around in their respective studios, were found to pull down sounds from the ether – last gasps – of creatures, attitudes, life stages and states of being just recently gone extinct. Developed specifically for the exhibition BOSTON DOES BOSTON 8 at Proof Gallery in South Boston, Last Gasp Radio grows out of an earlier effort at collaboration where the artists tried desperately to use time in an atypical way (and failed.) The symbol of this effort, extracted from a graveyard via a lawyer, has been incorporated into this new work and neatly summarizes both projects far better than this description does. (mixed media/sound, dimensions variable) Photo credits: Heather Kapplow, Andi Sutton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421520389366-L7XEQJ8ZQ974JW4NUJHQ/LGRlogo.IMG.jpg</image:loc>
      <image:title>Last Gasp Radio - Last Gasp Radio</image:title>
      <image:caption>In late-2014 Sutton and Kapplow started discovering discarded devices at second hand stores, each with the same archaic symbol embedded in it in some way.  These objects, when "tuned" by the artists using materials lying around in their respective studios, were found to pull down sounds from the ether – last gasps – of creatures, attitudes, life stages and states of being just recently gone extinct. Developed specifically for the exhibition BOSTON DOES BOSTON 8 at Proof Gallery in South Boston, Last Gasp Radio grows out of an earlier effort at collaboration where the artists tried desperately to use time in an atypical way (and failed.) The symbol of this effort, extracted from a graveyard via a lawyer, has been incorporated into this new work and neatly summarizes both projects far better than this description does. (mixed media/sound, dimensions variable) Photo credits: Heather Kapplow, Andi Sutton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421520536384-UV5UULZTT6C56OWG8TZZ/image-asset.jpeg</image:loc>
      <image:title>Last Gasp Radio</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421519908767-ND8DKSD3IOADSNI14NQW/cassettes.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421517299637-5U1M2IHD9YK4OTHRUKPL/LastGaspRadio3-iceberg-sml.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421517298818-SJZ0IVHVXWBXHPV4IO68/LastGaspRadio1-pink-sml.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421517308041-DWQTOYO60ZQJ2CE77UO1/LastGaspRadio2-silence.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421519406863-4UTB48B07X6X2BA1KIW3/fullthing.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421519387686-5LG75YHG4JMF1GTPAF4U/flanstar.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421519436800-ADKXAY05A9PVRKDYGJIJ/footie.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421519512408-5XJ53VP0EHQYZ3GJ1G6V/stovecloseup.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421519479963-W98BQSHKW0LPHNETB6AN/iceberb.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421519454565-1RE0BKU9DPXMTVWMCYMW/letters.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421519495171-9TS7NPPIAB1YBGC9A1I9/shelf1.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421519560350-TNZ022NUKVFOXC2B2B3Z/shelf2.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421519571114-XY53J4CRD9BNR5RSGZWO/stovelongview.jpg</image:loc>
      <image:title>Last Gasp Radio</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5357e7fee4b09afeccff3b8e/54aa0a92e4b0b365f775a58d/54baae89e4b06ac2744cfac3/1421520521158/</image:loc>
      <image:title>Last Gasp Radio</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/20-questions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421895326589-BPW975E69W2FYZNIKJBX/twisterface.jpg</image:loc>
      <image:title>20 Questions - 20 Questions</image:title>
      <image:caption>20 Questions is a situation-specific performance/engagement piece created for the MEGABUS SOCIAL RESEARCH ARTISTS RETREAT, which took place between January 24-25, 2015 on the Megabus from Boston to Brooklyn and back again, and in Brooklyn at Panoply Performance Laboratory on Saturday January 24th, 2015 from 7pm-midnight. 20 Questions was inspired by two things: a bottle that sat in the center of the room for several hours when PPL came to Boston on November 14, 2014, and the recent rise in mainstream public awareness of the depth and breadth of institutionalized racism in the US since then. The bottle begged us to play some variety of Spin The Bottle with it but we did not. The surfacing of indisputable institutionalized racism begs us to look more closely at ourselves as art-practitioners, examining our own culpability in the shaping of our institutions. I honored the bottle by playing another well known game or two at PPL, and tried to subtly inspect our collective culpability at the same time.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1421895326589-BPW975E69W2FYZNIKJBX/twisterface.jpg</image:loc>
      <image:title>20 Questions - 20 Questions</image:title>
      <image:caption>20 Questions is a situation-specific performance/engagement piece created for the MEGABUS SOCIAL RESEARCH ARTISTS RETREAT, which took place between January 24-25, 2015 on the Megabus from Boston to Brooklyn and back again, and in Brooklyn at Panoply Performance Laboratory on Saturday January 24th, 2015 from 7pm-midnight. 20 Questions was inspired by two things: a bottle that sat in the center of the room for several hours when PPL came to Boston on November 14, 2014, and the recent rise in mainstream public awareness of the depth and breadth of institutionalized racism in the US since then. The bottle begged us to play some variety of Spin The Bottle with it but we did not. The surfacing of indisputable institutionalized racism begs us to look more closely at ourselves as art-practitioners, examining our own culpability in the shaping of our institutions. I honored the bottle by playing another well known game or two at PPL, and tried to subtly inspect our collective culpability at the same time.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/eau-dwilderness-grove</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1439225226726-FTZDY2Y25XGIWTIY4L0L/Facebook2.jpg</image:loc>
      <image:title>Eau D'Wilderness Grove - Eau D'Wilderness Grove</image:title>
      <image:caption>As a part of the Art Grove installations of August 2015, I gathered data from visitors to Franklin Park's Wilderness Grove Picnic Area about their demographics and what the Wilderness Grove area smelled like to them. On the installation's opening weekend, I led "nose trainings" in person and then used installed elements over the course of two months to distribute and collect smell mapping surveys about the area. After the installation, I worked with a perfumer to develop a (natural) perfume based on the information that was collected. It is called "Eau D'Wilderness Grove". Pop-Up: Franklin Park Art Grove is a collaboration between the Boston Art Commission, Franklin Park Coalition, the William Monroe Trotter Institute, and the Boston Parks and Recreation Department. All related events are sponsored in part by the Boston Art Commission, Fund for the Arts at New England Foundation for the Arts, The Boston Cultural Council, and the Trotter Institute for African American Studies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1439225226726-FTZDY2Y25XGIWTIY4L0L/Facebook2.jpg</image:loc>
      <image:title>Eau D'Wilderness Grove - Eau D'Wilderness Grove</image:title>
      <image:caption>As a part of the Art Grove installations of August 2015, I gathered data from visitors to Franklin Park's Wilderness Grove Picnic Area about their demographics and what the Wilderness Grove area smelled like to them. On the installation's opening weekend, I led "nose trainings" in person and then used installed elements over the course of two months to distribute and collect smell mapping surveys about the area. After the installation, I worked with a perfumer to develop a (natural) perfume based on the information that was collected. It is called "Eau D'Wilderness Grove". Pop-Up: Franklin Park Art Grove is a collaboration between the Boston Art Commission, Franklin Park Coalition, the William Monroe Trotter Institute, and the Boston Parks and Recreation Department. All related events are sponsored in part by the Boston Art Commission, Fund for the Arts at New England Foundation for the Arts, The Boston Cultural Council, and the Trotter Institute for African American Studies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1439225225250-SJNY207S6NJPBJPAZ9ZZ/Facebook1.jpg</image:loc>
      <image:title>Eau D'Wilderness Grove</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451944364417-MPBBLC0FKM83WPSBOMRP/opulence-bergamot-rosewood-sandalwood-perfume3+copy.jpg</image:loc>
      <image:title>Eau D'Wilderness Grove</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1469155275799-WGHBUXDBO886CSJB8B68/SCANNED_SURVEY__0001.jpg</image:loc>
      <image:title>Eau D'Wilderness Grove</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1469155273182-AMFN8ELIUD5A8PS2CFEL/SCANNED_SURVEY__0002.jpg</image:loc>
      <image:title>Eau D'Wilderness Grove</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1469155288724-9P8VELGPBPI63RYMY70W/SCANNED_SURVEY__0003.jpg</image:loc>
      <image:title>Eau D'Wilderness Grove</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1469155291542-I5VRYPFBOZFTQZK5Z6UO/SCANNED_SURVEY__0004.jpg</image:loc>
      <image:title>Eau D'Wilderness Grove</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1469155301609-81COZCWHIU1ZSTIJ4AUU/SCANNED_SURVEY_.jpg</image:loc>
      <image:title>Eau D'Wilderness Grove</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1469155420200-IKGG0X08PPY4WW1PWWUZ/IMG_20150809_121635691.jpg</image:loc>
      <image:title>Eau D'Wilderness Grove</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1469155395150-C6LOXN25Z3NW5LSD6UJ2/ladyarmpit.jpg</image:loc>
      <image:title>Eau D'Wilderness Grove</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/water</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448411121199-03UFJ9K2GG5S3FHQBUSH/DSC06385.JPG</image:loc>
      <image:title>WATER - WATER</image:title>
      <image:caption>WATER, a part of The People's Museum of Revisionist History, was an amorphous investigation of the world’s most precious resource, based on recordings and transcriptions of six months worth of (anonymous) group convenings occurring via teleconference in 2015. Each hour-long meeting involved slow, freeform conversation and sound-making about a different theme related to water (such as “Aquatic Life”, “Flood”, “Drowning”, “Sea Chanteys”…) WATER spills out of the gallery, into virtual space as well into SPACES' entryway (where the activity of the building’s plumbing is amplified) and men's room (where those who use the the urinals produce unique soundtracks for small videos) and includes contributions from poets, fishmongers, plumbers, oceanographers, marine biologists, sailors, ceramicists, glassblowers, among others. WATER showcases some poetics of a slippery thing that cannot be contained easily. It also includes actual (intermingled) water from three different continents, and nine American states. Visitors are invited to leave and take water, to immerse themselves and to reconsider the waters in their lives outside of the museum. Research collaborators include Andrew Abrahamson, Stephanie Acosta, Liz Bradfield, Matt Cronin, Reginia Curleyhair, Diablo Glass, Christy Georg, Sammy Sass, Andi Sutton, Jane Marsching, Doris Martinez, Eve Mosher, Heidi Neilson, Eva Saulitis, David Stempowski, many, many Facebook friends and you.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448411121199-03UFJ9K2GG5S3FHQBUSH/DSC06385.JPG</image:loc>
      <image:title>WATER - WATER</image:title>
      <image:caption>WATER, a part of The People's Museum of Revisionist History, was an amorphous investigation of the world’s most precious resource, based on recordings and transcriptions of six months worth of (anonymous) group convenings occurring via teleconference in 2015. Each hour-long meeting involved slow, freeform conversation and sound-making about a different theme related to water (such as “Aquatic Life”, “Flood”, “Drowning”, “Sea Chanteys”…) WATER spills out of the gallery, into virtual space as well into SPACES' entryway (where the activity of the building’s plumbing is amplified) and men's room (where those who use the the urinals produce unique soundtracks for small videos) and includes contributions from poets, fishmongers, plumbers, oceanographers, marine biologists, sailors, ceramicists, glassblowers, among others. WATER showcases some poetics of a slippery thing that cannot be contained easily. It also includes actual (intermingled) water from three different continents, and nine American states. Visitors are invited to leave and take water, to immerse themselves and to reconsider the waters in their lives outside of the museum. Research collaborators include Andrew Abrahamson, Stephanie Acosta, Liz Bradfield, Matt Cronin, Reginia Curleyhair, Diablo Glass, Christy Georg, Sammy Sass, Andi Sutton, Jane Marsching, Doris Martinez, Eve Mosher, Heidi Neilson, Eva Saulitis, David Stempowski, many, many Facebook friends and you.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448231501149-W7JRNW0J9OOG5N3G1ADV/Water1.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448234938310-OCPEKYCUMHXZU4WPRKHG/DSC06379.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448234887321-B5MYDNUL41WZXJTD8FWB/DSC06386.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448234870152-PBSVN89ZKZKJVOMZ4H7L/DSC06394.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448234989591-LWG76UCU86OU9M2ZLL7W/DSC06380.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448234899203-4NBFOM1809HNXGVFJGYK/DSC06385.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448234825149-0YLIGT3718RP0HMY5OA1/DSC06405.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235006693-QH1DVCVGL1COJT7GZ6CP/DSC06381.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448234953215-AQ3RAQBGB0L4SAG6M9KR/DSC06378.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235073750-FZ3E7KU9UDQ7SYEO2LQU/DSC06388.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235083531-RLL5OJJX0CMIHGTA2KGB/DSC06390.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235097295-SBI7PYWQS20Y2LECR5GW/DSC06392.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235112895-OPGKL8WIOR7VK1B09D5G/DSC06416.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235133207-NBTBB8U65R2SU5IXHYTL/DSC06418.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448232076421-VZAHYYRTGG1Q6L0XDCN2/CAM02062.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448232082471-5PB0VRXFT900L9OHXNWP/CAM02063.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235144426-4VSR507SILRRJUMQHQG7/CAM02030.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235137998-D6SKF12OT6XPSNSHF3R7/CAM02031.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235178235-3IXRX3HFR8SAN83SIPGR/CAM02037.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235181723-YDRW3WP9D2U8A4FG1E5Y/CAM02039.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235191137-U60MCI45ZAA02S2REXS0/CAM02050.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235196325-R7CPL2U1JBA21K0A1RVV/CAM02055.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235185298-AYXRBNZQ33FA55PEO6XK/CAM02044.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235173463-KGDG7HN6Y4UKOAN3JG6A/CAM02036.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235205393-J4ZJQ1ZA3DWGU5H0L9EC/CAM02057.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448410890157-0L7LMFOSSBMPIWSZVIJW/CAM02064.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235210072-0YHA6808DGRVD7WBAHAC/CAM02068.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235149768-XAB02CZ1SE53W6AWGMID/CAM02028.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235154228-LPNMHUPEU0AMQQUN13JZ/CAM02029.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448235164763-L2EYRMHJV4UN7TV3RRT9/CAM02033.jpg</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448232312832-NFX1IEMG5Z6ILGH8DGBR/DSC06444.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1448232339286-ROKFN8OND8700AKNYLYY/DSC06442.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451935847917-F632AOKHRHXXPMQMK8UR/whalers_fortune.JPG</image:loc>
      <image:title>WATER</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451935908503-DF6B3MJIGH4D5LGQVS1W/november-2015---jerry-mann_23184576134_o.jpg</image:loc>
      <image:title>WATER</image:title>
      <image:caption>[Photo Credit: Jerry Mann]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451935912578-VREPSQ4PZAKVU4B97632/november-2015---jerry-mann_23184578444_o.jpg</image:loc>
      <image:title>WATER</image:title>
      <image:caption>[Photo Credit: Jerry Mann]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451936058279-GDIIU398DQLZQ4FJZ9PZ/november-2015---jerry-mann_23185918003_o.jpg</image:loc>
      <image:title>WATER</image:title>
      <image:caption>[Photo Credit: Jerry Mann]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451936242481-OJZJRVOUIVKUN9EUSMLI/november-2015---jerry-mann_23516851940_o.jpg</image:loc>
      <image:title>WATER</image:title>
      <image:caption>[Photo Credit: Jerry Mann]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451936236980-P3VE9WH8R12UMT9XW31V/november-2015---jerry-mann_23516854230_o.jpg</image:loc>
      <image:title>WATER</image:title>
      <image:caption>[Photo Credit: Jerry Mann]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451936298174-U673MZLBSVWRKVCBO1GA/november-2015---jerry-mann_23517010820_o.jpg</image:loc>
      <image:title>WATER</image:title>
      <image:caption>[Photo Credit: Jerry Mann]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451937446960-S8BI9CB3OXTFJV0PWXCN/november-2015---jerry-mann_23704286782_o.jpg</image:loc>
      <image:title>WATER</image:title>
      <image:caption>[Photo Credit: Jerry Mann]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451937480154-Q5KSE03NU9EYFCT8387R/november-2015---jerry-mann_23786522426_o.jpg</image:loc>
      <image:title>WATER</image:title>
      <image:caption>[Photo Credit: Jerry Mann]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451937519110-9IVNPCSZBTDQHZQVA42N/november-2015---jerry-mann_23786614886_o.jpg</image:loc>
      <image:title>WATER</image:title>
      <image:caption>[Photo Credit: Jerry Mann]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451937601494-GNQ7XCADZR0IDK58ERTZ/november-2015---jerry-mann_23786672036_o.jpg</image:loc>
      <image:title>WATER</image:title>
      <image:caption>[Photo Credit: Jerry Mann]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1451937620773-JGFXINOX6NAQ1215JIU9/november-2015---jerry-mann_23812612875_o.jpg</image:loc>
      <image:title>WATER</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/petitions-to-poseidon</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1469133268395-BKVY97PMTKN0AOMJBTM1/Petitionstoposeidon.jpg</image:loc>
      <image:title>Petitions to Poseidon - Petitions to Poseidon</image:title>
      <image:caption>Petitions to Poseidon invited visitors to the Tiny Tall Ships festival to reflect on their fears about living in a region made increasingly vulnerable to flooding by climate change. We offered advising and materials to aid in the creation of poetic letters of petition for delivery to the Greek god of the sea, Poseidon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1469133268395-BKVY97PMTKN0AOMJBTM1/Petitionstoposeidon.jpg</image:loc>
      <image:title>Petitions to Poseidon - Petitions to Poseidon</image:title>
      <image:caption>Petitions to Poseidon invited visitors to the Tiny Tall Ships festival to reflect on their fears about living in a region made increasingly vulnerable to flooding by climate change. We offered advising and materials to aid in the creation of poetic letters of petition for delivery to the Greek god of the sea, Poseidon.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Petitions to Poseidon</image:title>
    </image:image>
    <image:image>
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      <image:title>Petitions to Poseidon</image:title>
    </image:image>
    <image:image>
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      <image:title>Petitions to Poseidon</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/microburst</loc>
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    <lastmod>2016-08-07</lastmod>
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      <image:title>Microburst - Microburst</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Microburst - Microburst</image:title>
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      <image:title>Microburst</image:title>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/nothing-to-see-here-move-along</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1472129282293-LVZ5W53L5614HPX8H9EJ/Serna_Kiki_Flesh+Crisis+Performance_July+2016_04.jpg</image:loc>
      <image:title>Nothing to See Here, Move Along - Nothing to See Here, Move Along</image:title>
      <image:caption>Nothing to See Here, Move Along is one of several explorations I've made around the idea that the absence of spectacle—or more precisely, drawing attention to the absence of spectacle while also evoking our desire for spectacle—is a radical act, resisting a culture that pushes for ever increasing displays of wealth, technical innovation, etc. in favor of just being with what our bodies and minutes are like when they aren't under scrutiny. This piece was performed at the Flesh Crisis performance festival in Kansas City, MO in July of 2016. I was unable to attend in person to perform it myself, so worked with local performance artist Kiki Serna to realize the piece. When given the opportunity to use her time behind the curtain however she wanted, Kiki chose to treat her Saturday at Flesh Crisis exactly as she would treat her Saturday otherwise—she brushed her hair, gave herself a facial, clipped, filed and painted her nails, and otherwise groomed herself for optimal public presentation at a later date. Photo credit: Silvia Abisaab, Emma Penrose  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1472129282293-LVZ5W53L5614HPX8H9EJ/Serna_Kiki_Flesh+Crisis+Performance_July+2016_04.jpg</image:loc>
      <image:title>Nothing to See Here, Move Along - Nothing to See Here, Move Along</image:title>
      <image:caption>Nothing to See Here, Move Along is one of several explorations I've made around the idea that the absence of spectacle—or more precisely, drawing attention to the absence of spectacle while also evoking our desire for spectacle—is a radical act, resisting a culture that pushes for ever increasing displays of wealth, technical innovation, etc. in favor of just being with what our bodies and minutes are like when they aren't under scrutiny. This piece was performed at the Flesh Crisis performance festival in Kansas City, MO in July of 2016. I was unable to attend in person to perform it myself, so worked with local performance artist Kiki Serna to realize the piece. When given the opportunity to use her time behind the curtain however she wanted, Kiki chose to treat her Saturday at Flesh Crisis exactly as she would treat her Saturday otherwise—she brushed her hair, gave herself a facial, clipped, filed and painted her nails, and otherwise groomed herself for optimal public presentation at a later date. Photo credit: Silvia Abisaab, Emma Penrose  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Nothing to See Here, Move Along</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Nothing to See Here, Move Along</image:title>
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    <image:image>
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      <image:title>Nothing to See Here, Move Along</image:title>
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    <image:image>
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      <image:title>Nothing to See Here, Move Along</image:title>
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    <image:image>
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      <image:title>Nothing to See Here, Move Along</image:title>
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    <image:image>
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      <image:title>Nothing to See Here, Move Along</image:title>
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    <image:image>
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      <image:title>Nothing to See Here, Move Along</image:title>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/a-once-in-a-lifetime-experience</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1536340870484-8JUXGDFS2634FBA7IIQR/MyFavoriteSarahCropped.jpg</image:loc>
      <image:title>A Once in a Lifetime Experience - A Once in a Lifetime Experience</image:title>
      <image:caption>The first of a limited edition run of custom designed “once in a lifetime” experiences. In this case, the experience was bought (in the form of a woodblock print on an envelope, containing a note and a URL,) at a fundraising auction. A personalized experience (a guided, blindfolded journey, via public transit, to experience three different bodies of water in Boston, MA, USA and eat cake,) was designed for the purchaser in response to her completion of a fairly abstract survey. The purchaser never saw the person guiding her journey and the two do not know one another. The experience was delivered during the last week of the purchaser’s tenure living in Boston. Special thanks to Paddle Boston for in-kind support and genuine enthusiasm for strange art projects. Photo credit: Gretchen Aurin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1536340870484-8JUXGDFS2634FBA7IIQR/MyFavoriteSarahCropped.jpg</image:loc>
      <image:title>A Once in a Lifetime Experience - A Once in a Lifetime Experience</image:title>
      <image:caption>The first of a limited edition run of custom designed “once in a lifetime” experiences. In this case, the experience was bought (in the form of a woodblock print on an envelope, containing a note and a URL,) at a fundraising auction. A personalized experience (a guided, blindfolded journey, via public transit, to experience three different bodies of water in Boston, MA, USA and eat cake,) was designed for the purchaser in response to her completion of a fairly abstract survey. The purchaser never saw the person guiding her journey and the two do not know one another. The experience was delivered during the last week of the purchaser’s tenure living in Boston. Special thanks to Paddle Boston for in-kind support and genuine enthusiasm for strange art projects. Photo credit: Gretchen Aurin</image:caption>
    </image:image>
    <image:image>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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    <image:image>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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    <image:image>
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      <image:title>A Once in a Lifetime Experience</image:title>
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    <image:image>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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    <image:image>
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      <image:title>A Once in a Lifetime Experience</image:title>
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      <image:title>A Once in a Lifetime Experience</image:title>
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    <image:image>
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      <image:title>A Once in a Lifetime Experience</image:title>
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    <image:image>
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      <image:title>A Once in a Lifetime Experience</image:title>
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    <image:image>
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      <image:title>A Once in a Lifetime Experience</image:title>
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    <image:image>
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      <image:title>A Once in a Lifetime Experience</image:title>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/tools-of-the-trade</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-01-22</lastmod>
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      <image:title>Tools of the Trade - Tools of the Trade</image:title>
      <image:caption>Commissioned for an exhibition about the nature of contemporary labor, and “what artists actually do” at the Atlantic Wharf Gallery in Boston, US. Tools of the Trade featured a rotating display of objects used by artists (from six US states and three countries) in their art making processes, that could not have been identified as a part of their processes by looking at or engaging with their artwork. Objects were displayed alongside the text of interviews I conducted with each artist. The detail shown here is a “Looney Tunes style” black hole used as a symbolic escape hatch during a politically tense social engagement project occurring within prayer rooms at immigration holding areas in international airports. Tools of the Trade (installation detail); 20” x 20” x 20” Vitrine; Mixed Media; Text; Interviews; 2017.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Tools of the Trade - Tools of the Trade</image:title>
      <image:caption>Commissioned for an exhibition about the nature of contemporary labor, and “what artists actually do” at the Atlantic Wharf Gallery in Boston, US. Tools of the Trade featured a rotating display of objects used by artists (from six US states and three countries) in their art making processes, that could not have been identified as a part of their processes by looking at or engaging with their artwork. Objects were displayed alongside the text of interviews I conducted with each artist. The detail shown here is a “Looney Tunes style” black hole used as a symbolic escape hatch during a politically tense social engagement project occurring within prayer rooms at immigration holding areas in international airports. Tools of the Trade (installation detail); 20” x 20” x 20” Vitrine; Mixed Media; Text; Interviews; 2017.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Tools of the Trade</image:title>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/somewhere-nowhere-here</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1579709968660-21115VJAY9ZSS79FMHDC/Somewhere_Nowhere_Here_DK.jpg</image:loc>
      <image:title>Somewhere, Nowhere, Here - Somewhere/Nowhere/Here</image:title>
      <image:caption>Somewhere/Nowhere/Here was a collaborative intervention commissioned for the 2019 Meetings Festival in Western Jutland, DK. With 4 other artists from the New York-based collective Flux Factory. Together, we developed a series of experiences throughout the week about finding a sense of place in unfamiliar landscapes in non-colonialist, non-authoritarian ways by using the 5 senses. We launched the week long project with walking tours, and I led one meant to encourage understanding through the sense of touch. This is a detail of one of those tours, where I invited the audience to lie in multiple locations with handmade sandbags over their eyes, while offering prompts to identify feelings of difference between the locations and feelings of “self.” The tour ended on a boat launch with the prompt “Imagine you were going to lie here for the rest of your life instead of just for a short time. How would you change the way that you are lying here?” After awhile I left the group and never returned... Somewhere/Nowhere/Here (details); Guided Walk and Meditation, Soft-Sculpture; 2019.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Somewhere, Nowhere, Here - Somewhere/Nowhere/Here</image:title>
      <image:caption>Somewhere/Nowhere/Here was a collaborative intervention commissioned for the 2019 Meetings Festival in Western Jutland, DK. With 4 other artists from the New York-based collective Flux Factory. Together, we developed a series of experiences throughout the week about finding a sense of place in unfamiliar landscapes in non-colonialist, non-authoritarian ways by using the 5 senses. We launched the week long project with walking tours, and I led one meant to encourage understanding through the sense of touch. This is a detail of one of those tours, where I invited the audience to lie in multiple locations with handmade sandbags over their eyes, while offering prompts to identify feelings of difference between the locations and feelings of “self.” The tour ended on a boat launch with the prompt “Imagine you were going to lie here for the rest of your life instead of just for a short time. How would you change the way that you are lying here?” After awhile I left the group and never returned... Somewhere/Nowhere/Here (details); Guided Walk and Meditation, Soft-Sculpture; 2019.</image:caption>
    </image:image>
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      <image:title>Somewhere, Nowhere, Here</image:title>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/singing-mushroom-cloud</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1579710367419-GUBTWVQIHH8KIAGJKSSN/Singing_Kombucha_Mushroom_Cloud_BY.jpg</image:loc>
      <image:title>Singing Mushroom Cloud - Singing Mushroom Cloud</image:title>
      <image:caption>A site-specific piece created while in a residency juried by a very old and famous line of a kombucha mushroom in Minsk, BY. I was invited to the residency to continue research on a larger project about luxury that I worked on for all of 2019, but was inspired by conversations with the residency’s producer about his experiences moving to Minsk in his teen years because of the radioactive pollution in Chernobyl. This piece was a re-imaginging of the radioactivity as a comforting “kombucha mother” which hung above gallery visitors singing a soothing witchy song about the healing power of mushrooms... Singing Mushroom Cloud, is a sculptural and sound piece inspired by the kombucha Dostevesky, and created while in residency at oK16. The piece presents the possibility that the tea mushroom is a soft, comforting, infinitely wise entity that will offer refuge to those that choose to visit with it. Singing Mushroom Cloud was created with critical assistance from Olga Salakheyeva. Singing Mushroom Cloud; Mixed Media Sculpture, Audio; 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1579710367419-GUBTWVQIHH8KIAGJKSSN/Singing_Kombucha_Mushroom_Cloud_BY.jpg</image:loc>
      <image:title>Singing Mushroom Cloud - Singing Mushroom Cloud</image:title>
      <image:caption>A site-specific piece created while in a residency juried by a very old and famous line of a kombucha mushroom in Minsk, BY. I was invited to the residency to continue research on a larger project about luxury that I worked on for all of 2019, but was inspired by conversations with the residency’s producer about his experiences moving to Minsk in his teen years because of the radioactive pollution in Chernobyl. This piece was a re-imaginging of the radioactivity as a comforting “kombucha mother” which hung above gallery visitors singing a soothing witchy song about the healing power of mushrooms... Singing Mushroom Cloud, is a sculptural and sound piece inspired by the kombucha Dostevesky, and created while in residency at oK16. The piece presents the possibility that the tea mushroom is a soft, comforting, infinitely wise entity that will offer refuge to those that choose to visit with it. Singing Mushroom Cloud was created with critical assistance from Olga Salakheyeva. Singing Mushroom Cloud; Mixed Media Sculpture, Audio; 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/all-right</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1581717319008-OGX17D6LKF0F6G08OQ5O/image-asset.jpg</image:loc>
      <image:title>All Right! - All Right!</image:title>
      <image:caption>Commissioned for an exhibition about language diversity in Queens NY, US (Queens is the most language dense place in the world), All Right! was a Karaoke booth that only plays one song: Adriano Celentano's 1972 Italian pop hit, Prisencolinensinainciusol. The song, which (according to Wikipedia,) sounds like English spoken with an American accent to Italians, is actually complete nonsense except for the phrase "All right" which occurs a few times within the lyrics. I subtitled the video's lyrics and offered gallery visitors the opportunity to attempt to sing along with this unsingable song, as a campy, playful simulation of what communicating in English across significant language barriers feels like. All Right! was created in collaboration with Ernie Kim. All Right! (installation detail);3min 39sec Video with Fictional Subtitles; Mixed Media Participatory Installation; Custom Handmade Lighting Elements; 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1581717319008-OGX17D6LKF0F6G08OQ5O/image-asset.jpg</image:loc>
      <image:title>All Right! - All Right!</image:title>
      <image:caption>Commissioned for an exhibition about language diversity in Queens NY, US (Queens is the most language dense place in the world), All Right! was a Karaoke booth that only plays one song: Adriano Celentano's 1972 Italian pop hit, Prisencolinensinainciusol. The song, which (according to Wikipedia,) sounds like English spoken with an American accent to Italians, is actually complete nonsense except for the phrase "All right" which occurs a few times within the lyrics. I subtitled the video's lyrics and offered gallery visitors the opportunity to attempt to sing along with this unsingable song, as a campy, playful simulation of what communicating in English across significant language barriers feels like. All Right! was created in collaboration with Ernie Kim. All Right! (installation detail);3min 39sec Video with Fictional Subtitles; Mixed Media Participatory Installation; Custom Handmade Lighting Elements; 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1579713744853-GQ7XKO82IBDGQXRBUNO3/DSC08203.jpg</image:loc>
      <image:title>All Right!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1579713747601-QTSAA8LCTG2OBRZ218J0/DSC08191.jpg</image:loc>
      <image:title>All Right!</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/crack-us-open</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1579714141887-FCV58M2DOP5Q02KLN9U8/Crack%2BUs%2BOpen.JPG</image:loc>
      <image:title>Crack Us Open - Crack Us Open</image:title>
      <image:caption>Created for the exhibition Altarations at Dorchester Art Projects in the Summer of 2018, Crack Us Open evolved over the course of the exhibition, incorporating performance, magical action, text, things in the gallery and things in the immediate neighborhood to achieve a private goal and a public goal simultaneously. Photo credit: Lani Asuncion</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1579714141887-FCV58M2DOP5Q02KLN9U8/Crack%2BUs%2BOpen.JPG</image:loc>
      <image:title>Crack Us Open - Crack Us Open</image:title>
      <image:caption>Created for the exhibition Altarations at Dorchester Art Projects in the Summer of 2018, Crack Us Open evolved over the course of the exhibition, incorporating performance, magical action, text, things in the gallery and things in the immediate neighborhood to achieve a private goal and a public goal simultaneously. Photo credit: Lani Asuncion</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1579715340786-4304Q6P1CND460MBILWZ/IMG_20191116_074845_094.jpg</image:loc>
      <image:title>Crack Us Open</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1579715339854-N1XL111GAU0GIJ51NRFQ/20180817_155133.jpg</image:loc>
      <image:title>Crack Us Open</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1579715339572-TZ0Y26F4Z18N5L3046JJ/20180817_155140.jpg</image:loc>
      <image:title>Crack Us Open</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/walking-in-the-time-of-covid19</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1619201841545-1GB9EA771L43CPG9WVK9/image-asset.jpeg</image:loc>
      <image:title>Walking in the Time of Covid-19 - WALKING IN THE TIME OF COVID-19</image:title>
      <image:caption>In March 2020, when the reality of the Covid-19 pandemic came into full focus and people around the world found themselves suddenly and abruptly in “lockdown”, I decided to create a Google Group community with a focus on walking and optionally sharing our evolving efforts to make sense of our experiences in real time. The group, called Walking in the time of Covid-19, had about 275 members at its peak — including people who live within a few blocks of my home, and people as far away from me as South Africa, Australia, South Korea. We had members old enough to be among the most vulnerable to complications from Covid, alongside young people experiencing new independence at college who had to return home abruptly or lockdown in dorms. Each week at first, and then less frequently over the course of a full year, I released walking-based prompts meant to stimulate all of us in finding new ways of looking at and connecting with extremely familiar physical territory and extremely unfamiliar psychological territory at the same time. I was trying to get myself outside and moving around to fight off a sensation of claustrophobia, and to build a physical connection with the elements to help fill the void of not being able to share space with other people. But interpretations of the prompts also often took us into deeper reflection on world events or human vulnerability than expected. Composite images by Heather Kapplow. Photos and texts from: [Image 1] Photos and texts Florinda Camilleri (Malta), Alyson Davies (Canada), Bradley Eros (USA), Lisa Hirmer (Canada), Rajat Nayyar (Canada), Ja’Hari Ortega (USA), Anindita Basu Sempere (Switzerland). [Image 2] Antoinette Burchill (UK), Bradley Eros (USA), Josh Glenn (USA), Kim Jansson (Sweden), Alisa Oleva (UK). An excerpt from this project was included in the MIT List Visual Arts Center series “This Way” in 2021. It can be found at the following link: https://listart.mit.edu/way-heather-kapplow</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1619201841545-1GB9EA771L43CPG9WVK9/image-asset.jpeg</image:loc>
      <image:title>Walking in the Time of Covid-19 - WALKING IN THE TIME OF COVID-19</image:title>
      <image:caption>In March 2020, when the reality of the Covid-19 pandemic came into full focus and people around the world found themselves suddenly and abruptly in “lockdown”, I decided to create a Google Group community with a focus on walking and optionally sharing our evolving efforts to make sense of our experiences in real time. The group, called Walking in the time of Covid-19, had about 275 members at its peak — including people who live within a few blocks of my home, and people as far away from me as South Africa, Australia, South Korea. We had members old enough to be among the most vulnerable to complications from Covid, alongside young people experiencing new independence at college who had to return home abruptly or lockdown in dorms. Each week at first, and then less frequently over the course of a full year, I released walking-based prompts meant to stimulate all of us in finding new ways of looking at and connecting with extremely familiar physical territory and extremely unfamiliar psychological territory at the same time. I was trying to get myself outside and moving around to fight off a sensation of claustrophobia, and to build a physical connection with the elements to help fill the void of not being able to share space with other people. But interpretations of the prompts also often took us into deeper reflection on world events or human vulnerability than expected. Composite images by Heather Kapplow. Photos and texts from: [Image 1] Photos and texts Florinda Camilleri (Malta), Alyson Davies (Canada), Bradley Eros (USA), Lisa Hirmer (Canada), Rajat Nayyar (Canada), Ja’Hari Ortega (USA), Anindita Basu Sempere (Switzerland). [Image 2] Antoinette Burchill (UK), Bradley Eros (USA), Josh Glenn (USA), Kim Jansson (Sweden), Alisa Oleva (UK). An excerpt from this project was included in the MIT List Visual Arts Center series “This Way” in 2021. It can be found at the following link: https://listart.mit.edu/way-heather-kapplow</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1627682653095-N75JGESJGARBF9H675VD/2_Walking_in_the_Time_of_Covid_19_Composite_2jpg.jpg</image:loc>
      <image:title>Walking in the Time of Covid-19</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/weird-with-sholeh-asgary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646336843120-RMOXNHE3QQ5Q0DTZKQVF/Tooth.jpg</image:loc>
      <image:title>Weird with Sholeh Asgary - WEIRD</image:title>
      <image:caption>Weird is a mostly non-verbal Zoom experience hosted by Flux Factory as a part of the 2020 series Flux Thursday Remote Edition. Produced by Heather Kapplow and Sholeh Asgary, with a special performance by Eva Ursprung. Weird is about where we are before and after the Zoom camera comes on. We'll start by having a "real" check in, finding out what everyone has been struggling the hardest with during these weird times, listening to each other and trading what we can in terms of ideas for coping/resources that we might have uncovered for ourselves that other people might be able to use too. Then we'll slowly move away from language together into places like sound and gesture, where (especially irresolvable) feelings can have some space to just be, and maybe be kind of ritually cast out of our bodies for awhile... THEN Eva Ursprung will serenade us with her punk rock!!! Flux Thursday is Flux Factory’s longest-running program, and during ordinary times, takes place on the second Thursday of each month. However, as a way to have fun and support each other from afar during the era of social distancing, they’ve become weekly events. Image: Artist Kathie Halfin reflects on the nature of pandemic time while holding her traveling tooth during Weird. [Video and other documentation of Weird available on request.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646336843120-RMOXNHE3QQ5Q0DTZKQVF/Tooth.jpg</image:loc>
      <image:title>Weird with Sholeh Asgary - WEIRD</image:title>
      <image:caption>Weird is a mostly non-verbal Zoom experience hosted by Flux Factory as a part of the 2020 series Flux Thursday Remote Edition. Produced by Heather Kapplow and Sholeh Asgary, with a special performance by Eva Ursprung. Weird is about where we are before and after the Zoom camera comes on. We'll start by having a "real" check in, finding out what everyone has been struggling the hardest with during these weird times, listening to each other and trading what we can in terms of ideas for coping/resources that we might have uncovered for ourselves that other people might be able to use too. Then we'll slowly move away from language together into places like sound and gesture, where (especially irresolvable) feelings can have some space to just be, and maybe be kind of ritually cast out of our bodies for awhile... THEN Eva Ursprung will serenade us with her punk rock!!! Flux Thursday is Flux Factory’s longest-running program, and during ordinary times, takes place on the second Thursday of each month. However, as a way to have fun and support each other from afar during the era of social distancing, they’ve become weekly events. Image: Artist Kathie Halfin reflects on the nature of pandemic time while holding her traveling tooth during Weird. [Video and other documentation of Weird available on request.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/maybe-youre-a-peach-tree-maybe-with-sholeh-asgary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646349859072-278O8A8FAR4XKTULFWW3/Tree.jpg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary - MAYBE YOU'RE A PEACH TREE MAYBE</image:title>
      <image:caption>Maybe You're A Peach Tree Maybe is a part of an ongoing, audience-participatory exploration using prompts, and immersion in sense and process within the content of video-telephonic gatherings to disambiguate image from experience, making space for the unresolved. Lived social experience is indeterminate and has stuff—a sense of timing, nuances of body language, cultural norms—that doesn’t encode into technologically mediated interactions. What’s perceived as noise in digi-space is often important information in physical life. Using strategies that bypass conventional communication so gesture, sound and movement can transmit as it emerges from intuition, our exercises resist their interfaces of transmission, subverting technology’s capacity to contain us. Modeling possibilities and buying time for things beyond current imagination to emerge, we remind ourselves that interfaces can be adapted, broken down, changed if their limitations are made visible. Maybe You're A Peach Tree Maybe is a part of the 59th Annual Ann Arbor Film Festival’s In the Screen Program. To learn more about our project, please see this interview on “Let’s Watch” on CTN Ann Arbor. [Video, audio and AI-generated text documentation available on request.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646349859072-278O8A8FAR4XKTULFWW3/Tree.jpg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary - MAYBE YOU'RE A PEACH TREE MAYBE</image:title>
      <image:caption>Maybe You're A Peach Tree Maybe is a part of an ongoing, audience-participatory exploration using prompts, and immersion in sense and process within the content of video-telephonic gatherings to disambiguate image from experience, making space for the unresolved. Lived social experience is indeterminate and has stuff—a sense of timing, nuances of body language, cultural norms—that doesn’t encode into technologically mediated interactions. What’s perceived as noise in digi-space is often important information in physical life. Using strategies that bypass conventional communication so gesture, sound and movement can transmit as it emerges from intuition, our exercises resist their interfaces of transmission, subverting technology’s capacity to contain us. Modeling possibilities and buying time for things beyond current imagination to emerge, we remind ourselves that interfaces can be adapted, broken down, changed if their limitations are made visible. Maybe You're A Peach Tree Maybe is a part of the 59th Annual Ann Arbor Film Festival’s In the Screen Program. To learn more about our project, please see this interview on “Let’s Watch” on CTN Ann Arbor. [Video, audio and AI-generated text documentation available on request.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646350481321-ZNLJFCW6VQTA6II2ETNR/MOUTH+FOG+SLIDE+PROMPT.jpg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646364201535-VBNZOZ79WYV8N700HHAF/Option2.jpeg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646364213523-8MD36H64QAMIO4AB6T8M/Option1aa.jpg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646364206076-6Y4IIY9B3VN9M9ODGNRK/Option1aaa.jpeg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646350664580-193PFD0ASTF3UHNE7K27/LEAN+GASP+SLIDE+PROMPT.jpg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646364216639-VEBDLE2KYTYEKYDFEVSI/Option9c.jpg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646364242401-UUQRI3FMSJYYWK2CRHG9/Option12a.jpg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646364228659-8HWLN5M1WOCHOCRNTNL7/Option10a.jpg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646350480428-9XKGL85S49AH02FX06XE/AWKWARD+SILENCE+SLIDE+PROMPT.jpg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646350483108-KMG2W1E0WGYNU1MG28HB/Q+A+SLIDE+PROMPT.jpg</image:loc>
      <image:title>Maybe You're a Peach Tree Maybe with Sholeh Asgary</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/when-you-hear-the-whistle-with-sholeh-asgary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646344429263-6KQALZ9EP31E0Y0HYGQL/Whistle%2Bblowing%2Bsteam%2Bon%2Bgreen%2Bbackground.jpg</image:loc>
      <image:title>When You Hear the Whistle with Sholeh Asgary - WHEN YOU HEAR THE WHISTLE: AN ELECTION-EVE SANCTUARY/FREAKOUT ZONE</image:title>
      <image:caption>2020 is unfathomable. And right now, in the USA, we are having a surreal election season: There is dog whistling and at the same time, we are each like teakettles, building up heads of steam full of information we can’t keep track of, with only flatscreen versions of our friends and families to turn to for comfort. Unknowns fill more and more pages of our calendars as the minutes of our clocks bend.... We peer into fog trying to find some clarity—or are we just learning how to find comforting patterns in swirling steam? On November 3, 2020 Sholeh Asgary and Heather Kapplow will be holding open a long, swirling, mostly non-verbal Zoomspace to take communal respite within during election eve on both the East and West Coasts of the USA. Feel free to drop in and out as many times as you like between 6pm EST to 8pm PST. (Note that this is a 5-hour span of time. On the East Coast of the USA the event will occur from 6pm - 11pm, and on the West Coast of the USA, it will occur between 3pm - 8pm.) This is a space to cast all of your non-transmittable feelings as the absurdity/horror of this peak moment of political theater unfolds in real time. We’ll be there to honor your impulses: to scream, to crawl under a blanket, to drink heavily, etc. When You Hear The Whistle is a location for the energy you can’t put anywhere else on election eve to build up, build up, build up, release, release, release, keep moving, keep moving, keep swirling. Through text, gestural, and sound prompts, Asgary and Kapplow will keep a portal open for you to pop in and out of as much as you’d like to. This event is co-presented by Arab.AMP and Art Market Provincetown. ABOUT US: Sholeh Asgary is an Iranian born interdisciplinary sound artist, educator and organizer, who creates immersive works, performances, and audience participatory workshops and scores with a particular interest in liminal spaces experienced by the viewer. Utilizing the parameters of various media, such as sound, video, light, time and photography, she resurfaces the viewer’s relationship to space, in order to address the way objects can create disambiguation and break down representation. Asgary is based in Oakland, CA. Heather Kapplow is a self-trained conceptual artist based in the United States (Boston, MA.) Kapplow creates participatory experiences that elicit unexpected intimacies using objects, alternative interpretations of existing environments, installation, performance, writing, audio and video. Many of Kapplow’s projects are developed collaboratively with other artists or with the general public/audiences. Together, Asgary and Kapplow are engaged in an ongoing, audience-participatory, collaborative exploration using prompts and immersion in sense and process within the context of Zoom gatherings to disambiguate image from experience, making space for the unresolved. Lived social experience is indeterminate and has stuff—a sense of timing, nuances of body language, cultural norms—that doesn’t encode into technologically mediated interactions. What’s perceived as noise in digispace is often important information in physical life. Using simple strategies to bypass conventional communication so that gesture, sound and movement can transmit as it emerges directly from intuition, Asgary and Kapplow’s exercises resist their interfaces of transmission, subverting technology’s capacity to contain us. By modeling possibility and buying time for things to emerge that are beyond current imagination, we remind ourselves and each other that interfaces can be adapted, broken down, changed if their limitations are made visible. Arab AMP is a platform for EXPERIMENTAL LIVE ART, Music and ideas from THE SWANA [South West Asia North Africa] diaspora and our allied communities. Art Market Provincetown: AMP is a live contemporary gallery space dedicated to exhibiting multi-disciplined work by visual, conceptual, performance artists, filmmakers and writers. Exhibitions &amp; Happenings are primarily cutting-edge, and often process-based. [Video, audio and AI-generated text artifacts available on request.]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646344429263-6KQALZ9EP31E0Y0HYGQL/Whistle%2Bblowing%2Bsteam%2Bon%2Bgreen%2Bbackground.jpg</image:loc>
      <image:title>When You Hear the Whistle with Sholeh Asgary - WHEN YOU HEAR THE WHISTLE: AN ELECTION-EVE SANCTUARY/FREAKOUT ZONE</image:title>
      <image:caption>2020 is unfathomable. And right now, in the USA, we are having a surreal election season: There is dog whistling and at the same time, we are each like teakettles, building up heads of steam full of information we can’t keep track of, with only flatscreen versions of our friends and families to turn to for comfort. Unknowns fill more and more pages of our calendars as the minutes of our clocks bend.... We peer into fog trying to find some clarity—or are we just learning how to find comforting patterns in swirling steam? On November 3, 2020 Sholeh Asgary and Heather Kapplow will be holding open a long, swirling, mostly non-verbal Zoomspace to take communal respite within during election eve on both the East and West Coasts of the USA. Feel free to drop in and out as many times as you like between 6pm EST to 8pm PST. (Note that this is a 5-hour span of time. On the East Coast of the USA the event will occur from 6pm - 11pm, and on the West Coast of the USA, it will occur between 3pm - 8pm.) This is a space to cast all of your non-transmittable feelings as the absurdity/horror of this peak moment of political theater unfolds in real time. We’ll be there to honor your impulses: to scream, to crawl under a blanket, to drink heavily, etc. When You Hear The Whistle is a location for the energy you can’t put anywhere else on election eve to build up, build up, build up, release, release, release, keep moving, keep moving, keep swirling. Through text, gestural, and sound prompts, Asgary and Kapplow will keep a portal open for you to pop in and out of as much as you’d like to. This event is co-presented by Arab.AMP and Art Market Provincetown. ABOUT US: Sholeh Asgary is an Iranian born interdisciplinary sound artist, educator and organizer, who creates immersive works, performances, and audience participatory workshops and scores with a particular interest in liminal spaces experienced by the viewer. Utilizing the parameters of various media, such as sound, video, light, time and photography, she resurfaces the viewer’s relationship to space, in order to address the way objects can create disambiguation and break down representation. Asgary is based in Oakland, CA. Heather Kapplow is a self-trained conceptual artist based in the United States (Boston, MA.) Kapplow creates participatory experiences that elicit unexpected intimacies using objects, alternative interpretations of existing environments, installation, performance, writing, audio and video. Many of Kapplow’s projects are developed collaboratively with other artists or with the general public/audiences. Together, Asgary and Kapplow are engaged in an ongoing, audience-participatory, collaborative exploration using prompts and immersion in sense and process within the context of Zoom gatherings to disambiguate image from experience, making space for the unresolved. Lived social experience is indeterminate and has stuff—a sense of timing, nuances of body language, cultural norms—that doesn’t encode into technologically mediated interactions. What’s perceived as noise in digispace is often important information in physical life. Using simple strategies to bypass conventional communication so that gesture, sound and movement can transmit as it emerges directly from intuition, Asgary and Kapplow’s exercises resist their interfaces of transmission, subverting technology’s capacity to contain us. By modeling possibility and buying time for things to emerge that are beyond current imagination, we remind ourselves and each other that interfaces can be adapted, broken down, changed if their limitations are made visible. Arab AMP is a platform for EXPERIMENTAL LIVE ART, Music and ideas from THE SWANA [South West Asia North Africa] diaspora and our allied communities. Art Market Provincetown: AMP is a live contemporary gallery space dedicated to exhibiting multi-disciplined work by visual, conceptual, performance artists, filmmakers and writers. Exhibitions &amp; Happenings are primarily cutting-edge, and often process-based. [Video, audio and AI-generated text artifacts available on request.]</image:caption>
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      <image:title>When You Hear the Whistle with Sholeh Asgary</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/second-sight-is-water-with-sholeh-asgary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-03</lastmod>
    <image:image>
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      <image:title>Second Sight is Water with Sholeh Asgary - SECOND SIGHT IS WATER</image:title>
      <image:caption>Second Sight is Water is a recalibration of the Zoomspace we’ve all been spending so many hours of so many of our days within this year. Heather Kapplow and Sholeh Asgary lead their second in a series of online experiments meant to strengthen muscles for undermining the colonization of consciousness and body language by corporate communication software. Collectively, participants in Second Sight is Water will weaponize digitized content so that it acts in resistance to the interfaces that transmit it, subverting their capacity to contain us and creating space for things to emerge there that are beyond current imagination. This event is part of a weekly, Summer 2020 Art Talk event series, hosted jointly through by Northeastern’s Center for the Arts (CfA) and Area Code Art Fair. [Contact for audio, video and AI-generated textual artifacts.]</image:caption>
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      <image:title>Second Sight is Water with Sholeh Asgary - SECOND SIGHT IS WATER</image:title>
      <image:caption>Second Sight is Water is a recalibration of the Zoomspace we’ve all been spending so many hours of so many of our days within this year. Heather Kapplow and Sholeh Asgary lead their second in a series of online experiments meant to strengthen muscles for undermining the colonization of consciousness and body language by corporate communication software. Collectively, participants in Second Sight is Water will weaponize digitized content so that it acts in resistance to the interfaces that transmit it, subverting their capacity to contain us and creating space for things to emerge there that are beyond current imagination. This event is part of a weekly, Summer 2020 Art Talk event series, hosted jointly through by Northeastern’s Center for the Arts (CfA) and Area Code Art Fair. [Contact for audio, video and AI-generated textual artifacts.]</image:caption>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/afk-party-with-sholeh-asgary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-04</lastmod>
    <image:image>
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      <image:title>AFK Party with Sholeh Asgary - AFK PARTY</image:title>
      <image:caption>AFK Party, occurring live at the ARoS Museum in Aarhus, Denmark, is inspired by a collaboration via Zoom through 2020-21 where we developed a series of audience-participatory explorations that used text prompts and immersion in sense and process within the context of Zoom (the corporate technology that has been colonizing our homes, schools, places of worship and other gatherings since Covid began) to disambiguate image from experience, and open up more space for the unresolved. AFK Party is part of our ongoing efforts, through play, to remind ourselves and each other that interfaces are not neutral, and that we don’t have to accept how they frame us. At AFK Party, we will facilitate a variety of conversations/activities in a physical format that resembles Zoom to help people adjust to the idea of meeting in person again after so much virtual meeting in the past year or two. IRL Zooming!! At ARoS, we will discuss our projects during Covid lockdown and also have a workshop where people can make wearable analog Zoom backgrounds to use in our IRL Zoom windows. Live drawing by Britt Marie. Group photo by Carlos David TC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646361501226-SKEU094SSURJSNLLJN6K/AsgaryKapplow_AFK+Party+INSTA+3.jpeg</image:loc>
      <image:title>AFK Party with Sholeh Asgary - AFK PARTY</image:title>
      <image:caption>AFK Party, occurring live at the ARoS Museum in Aarhus, Denmark, is inspired by a collaboration via Zoom through 2020-21 where we developed a series of audience-participatory explorations that used text prompts and immersion in sense and process within the context of Zoom (the corporate technology that has been colonizing our homes, schools, places of worship and other gatherings since Covid began) to disambiguate image from experience, and open up more space for the unresolved. AFK Party is part of our ongoing efforts, through play, to remind ourselves and each other that interfaces are not neutral, and that we don’t have to accept how they frame us. At AFK Party, we will facilitate a variety of conversations/activities in a physical format that resembles Zoom to help people adjust to the idea of meeting in person again after so much virtual meeting in the past year or two. IRL Zooming!! At ARoS, we will discuss our projects during Covid lockdown and also have a workshop where people can make wearable analog Zoom backgrounds to use in our IRL Zoom windows. Live drawing by Britt Marie. Group photo by Carlos David TC.</image:caption>
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      <image:title>AFK Party with Sholeh Asgary</image:title>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/3123-telegraph-yes-with-sholeh-asgary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-04</lastmod>
    <image:image>
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      <image:title>3123 Telegraph Yes with Sholeh Asgary - 3123 TELEGRAPH YES</image:title>
      <image:caption>Presented at Juxtapoze Art Fair by Sholeh Asgary + Heather Kapplow, 3123 Telegraph Yes is part of an ongoing effort, through play, to remind ourselves that interfaces are not neutral, and that we don’t have to accept how they frame us. As we consider meeting in person again after many, many months of Zooming, 3123 Telegraph Yes offers activities in physical form that resemble early Zoom prototypes to encourage a further blurring of boundaries. Asgary (USA) and Kapplow (USA) began working together in Aarhus in 2019, and have spent 2020-21 collaborating on a series of audience-participatory Zoom explorations that questions this piece of corporate technology that has been colonizing our homes, schools, places of worship and other gatherings since the Coronavirus began. Their work focuses on disambiguating image from experience, and opening up more space for the unresolved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646361577969-VXCSS91GXTMK1HU7FQNP/AFK+II.jpeg</image:loc>
      <image:title>3123 Telegraph Yes with Sholeh Asgary - 3123 TELEGRAPH YES</image:title>
      <image:caption>Presented at Juxtapoze Art Fair by Sholeh Asgary + Heather Kapplow, 3123 Telegraph Yes is part of an ongoing effort, through play, to remind ourselves that interfaces are not neutral, and that we don’t have to accept how they frame us. As we consider meeting in person again after many, many months of Zooming, 3123 Telegraph Yes offers activities in physical form that resemble early Zoom prototypes to encourage a further blurring of boundaries. Asgary (USA) and Kapplow (USA) began working together in Aarhus in 2019, and have spent 2020-21 collaborating on a series of audience-participatory Zoom explorations that questions this piece of corporate technology that has been colonizing our homes, schools, places of worship and other gatherings since the Coronavirus began. Their work focuses on disambiguating image from experience, and opening up more space for the unresolved.</image:caption>
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      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646362390814-L4WV4M2XOW8QU16RBLPB/DSC01969%2B.jpeg</image:loc>
      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646362436527-LA4QECXE2IP26OU2E2D7/DSC01987%2B.jpeg</image:loc>
      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646362491701-1JPUY1H3THY2CN95CFKG/DSC02022%2B.jpeg</image:loc>
      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646362477040-BRL1KX90J9VQN7CSEG8Z/DSC02018.jpeg</image:loc>
      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1646362426790-6LZ3PMYIUI683ITMGFDS/DSC01983%2B.jpeg</image:loc>
      <image:title>3123 Telegraph Yes with Sholeh Asgary</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/polarlys</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-30</lastmod>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/seeking-the-source</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1686367441662-IN2N4MB6BR4LVIUJEL98/01_Seeking_The_Source_DETAIL1.jpg</image:loc>
      <image:title>Seeking the Source</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1686367441662-IN2N4MB6BR4LVIUJEL98/01_Seeking_The_Source_DETAIL1.jpg</image:loc>
      <image:title>Seeking the Source</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1702314089311-Y776OVDWAB5L8O1UI8SA/image-asset.jpeg</image:loc>
      <image:title>Seeking the Source - Seeking the Source</image:title>
      <image:caption>Seeking the Source was a commission by Arlinda Shtuni for the exhibition "Waterlines" at the Somerville Museum, in Somerville MA (USA) from December 2022 - March 2023, and then reconfigured for display at The Metropolitan Waterworks Museum in Boston MA (USA) from May 2023 - November 2023. The project consists of collection of objects (divining rods) with soundtracks. The soundtracks are available here: https://soundcloud.com/seeking_the_source Seeking the Source uses water as a metaphor for intuition, and the persistence of the practice of dowsing in the modern world as a symbol of our capacity to retain and nurture intuitive understanding even while we rely on technologies and enlightenment-age logics for our day-to-day operations in a way that would seem to make intuition obsolete. This image is a collective portrait of a divining rod made by participants in a workshop in 2022 in at the ARoS museum in Aarhus Denmark. The workshop was a collaboration with a storyteller and involved an hour+ long conversation about how we discover our intuition. The audio recording of that conversation, accompanies the object pictured here in installations and can be heard here: https://soundcloud.com/seeking_the_source/17-portrait-of-a-divining-rod-made-at-aros-museum-in-denmark The development of Seeking the Source was supported by The Somerville Museum, Flux Factory, ARoS Museum, Useful Art for Communities, USF Bergen, and The Metropolitan Waterworks Museum. Seeking the Source also inspired a small performance art festival about the spirit of water called “Evaporate” that I co-curated at the end the exhibition at the Waterworks Museum. Video documentation from the festival is included here as well.</image:caption>
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      <image:title>Seeking the Source</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1709835343220-YKBWDC4R0Y8ZCSH0FC7R/DSC04300.JPG</image:loc>
      <image:title>Seeking the Source</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1709835356394-ONAY0MZKF2LBGRUSPOVU/DSC04238.JPG</image:loc>
      <image:title>Seeking the Source</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1709835343535-W4X8JOB4BT7VLALDPRXF/DSC04291.JPG</image:loc>
      <image:title>Seeking the Source</image:title>
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      <image:title>Seeking the Source</image:title>
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      <image:title>Seeking the Source</image:title>
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      <image:title>Seeking the Source</image:title>
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      <image:title>Seeking the Source</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1709919928372-8BU48UDV9XQD4C0J9BLJ/image-asset.jpeg</image:loc>
      <image:title>Seeking the Source - Evaporate Live Art Festival November 2023</image:title>
      <image:caption>Documentation (by Sue Murad) of the Evaporate Live Art Festival, a collaboration between Mobius (Boston, USA) and Performance Art Bergen (Norway) artists at the Metropolitan Waterworks Museum. The festival occurred over the weekend of November 4-5, 2023 and featured solo and collaborative performances by over 20 artists across the two days. "Organized by Mobius member Heather Kapplow and PAB member Anette Friedrich Johannessen, Evaporate consists of two days of performances that activate the museums’ exhibition halls, grounds, and the nearby reservoir, flowing through these spaces in a quick rush, as the city’s water once flowed through them, and then dissipating just as quickly."</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/deathbed-dreams</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1709394974988-ZPKR3EK056LCO7Z77465/death+vmk.jpeg</image:loc>
      <image:title>Deathbed Dreams - Deathbed Dreams</image:title>
      <image:caption>We will all die someday. Even though we don’t talk about it much, we think about it sometimes, and when we think about it, it is common for us to think about how we will be remembered in the world after we die. Will the people around us get it right? Will they understand what it is about us that is completely unique, can never be replicated, will never exist again once we are gone? American artist Hey There Kapplow hosts an experimental workshop experience investigating the shape of the uncomfortable gap between how we feel ourselves being internally, and how our external environments and communities shape, categorize and articulate us. The process will involve reflecting together on our own eventual deaths and the difficulty that memorial rituals pose for capturing the nuance of being and then ceasing to be. We will also stay aware of our historical context, thinking together about exactly what it means for every human life to matter—to have value. Deathbed Dreams is artistic research for a later, collaborative, project called Getting Somewhere Important? that is about a kind of dysphoria that our social systems and the architectural features of our public spaces can produce in us (an idea inspired by gender dysphoria, the embodied dissonance associated with differences between experienced and externally perceived gender.) For Deathbed Dreams, we will think together about each existing person’s complete uniqueness and value, and try to make a clear distinction between how we feel seen externally and how we feel we really are/wish we could be seen. The workshop will take between 2 and 4 hours, depending on the number of people. Please dress comfortably for moving around and possibly getting your hands a bit dirty. It will also result in a simple participatory installation occurring the following day. Deathbed Dreams is generously hosted by Villa Magdadelna K and the development of the idea has been supported by Goethe-Institute Boston, as well as by Hyper Cultural Passengers in Hamburg and ZK/U in Berlin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1709394974988-ZPKR3EK056LCO7Z77465/death+vmk.jpeg</image:loc>
      <image:title>Deathbed Dreams - Deathbed Dreams</image:title>
      <image:caption>We will all die someday. Even though we don’t talk about it much, we think about it sometimes, and when we think about it, it is common for us to think about how we will be remembered in the world after we die. Will the people around us get it right? Will they understand what it is about us that is completely unique, can never be replicated, will never exist again once we are gone? American artist Hey There Kapplow hosts an experimental workshop experience investigating the shape of the uncomfortable gap between how we feel ourselves being internally, and how our external environments and communities shape, categorize and articulate us. The process will involve reflecting together on our own eventual deaths and the difficulty that memorial rituals pose for capturing the nuance of being and then ceasing to be. We will also stay aware of our historical context, thinking together about exactly what it means for every human life to matter—to have value. Deathbed Dreams is artistic research for a later, collaborative, project called Getting Somewhere Important? that is about a kind of dysphoria that our social systems and the architectural features of our public spaces can produce in us (an idea inspired by gender dysphoria, the embodied dissonance associated with differences between experienced and externally perceived gender.) For Deathbed Dreams, we will think together about each existing person’s complete uniqueness and value, and try to make a clear distinction between how we feel seen externally and how we feel we really are/wish we could be seen. The workshop will take between 2 and 4 hours, depending on the number of people. Please dress comfortably for moving around and possibly getting your hands a bit dirty. It will also result in a simple participatory installation occurring the following day. Deathbed Dreams is generously hosted by Villa Magdadelna K and the development of the idea has been supported by Goethe-Institute Boston, as well as by Hyper Cultural Passengers in Hamburg and ZK/U in Berlin.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1709395005257-UROVQ2NDMFBLERFUV2KT/candles+mvk.jpeg</image:loc>
      <image:title>Deathbed Dreams</image:title>
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      <image:title>Deathbed Dreams</image:title>
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      <image:title>Deathbed Dreams</image:title>
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      <image:title>Deathbed Dreams</image:title>
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      <image:title>Deathbed Dreams</image:title>
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      <image:title>Deathbed Dreams</image:title>
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/over-and-out</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-03-08</lastmod>
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      <image:title>Over and Out</image:title>
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      <image:title>Over and Out</image:title>
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      <image:title>Over and Out - Over and Out</image:title>
      <image:caption>Research and recorded sound for future solo project; site-responsive installation featuring live and recorded sound, video, and mixed media. About loneliness and the moment of disconnection, using vintage two-way radios as a starting point. February 2023, Wedding Cake House, Providence RI. Collaboration w/Liz Nofziger.</image:caption>
    </image:image>
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      <image:title>Over and Out</image:title>
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      <image:title>Over and Out</image:title>
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      <image:title>Over and Out</image:title>
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      <image:title>Over and Out</image:title>
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      <image:title>Over and Out</image:title>
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      <image:title>Over and Out</image:title>
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      <image:title>Over and Out</image:title>
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    <image:image>
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    <image:image>
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      <image:title>Over and Out</image:title>
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    <image:image>
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      <image:title>Over and Out</image:title>
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    <image:image>
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      <image:title>Over and Out</image:title>
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      <image:title>Over and Out</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/unnavigable-maps-soundtracks</loc>
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    <lastmod>2025-08-15</lastmod>
  </url>
  <url>
    <loc>http://www.heatherkapplow.com/everything-is-an-archive</loc>
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    <priority>0.75</priority>
    <lastmod>2025-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1740422718365-C3F5HZFETIOP7LQYJRSN/20250220_185501.jpeg</image:loc>
      <image:title>Everything is an Archive - Everything is an Archive</image:title>
      <image:caption>As a part of “Undoing the Archive” a seven hour event on January 31, 2025 that was an activation of “an archive and/or a repertoire” at Tufts University Gallery, SMFA, I toasted homemade bread and buttering it for people to eat while we talked about different models for storing and sharing knowledge and how they transmit personal and community values across historical time. We spoke about the vulnerability of official and institutional archives in times of war or political shift, and the relative resilience of informal archiving practices that are represented by the sharing or recipies and fermentation “mothers”. If people wanted to, they will be welcomed to take some sourdough starter and/or an informational text designed to accompany it as a memento of the conversation/a functional yeast/a (literally) living archive. The text (download brochure here) shared the history of the 30-year old sourdough starter that I had been able to trace (I acquired it in 2015, but it was created in 1997) through the network that gave it to me, along with instructions for feeding the yeast, and an invitation to connect to an Instagram profile (@astro_leavener) where images of baked goods produced by the starter are shared. After the performance, the crumbs generated by slicing and buttering bread/toast were displayed in the exhibition through April 20, 2025. Photos by: Lani Asuncion, Olivia Slaughter and Joanna Tam.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Everything is an Archive - Everything is an Archive</image:title>
      <image:caption>As a part of “Undoing the Archive” a seven hour event on January 31, 2025 that was an activation of “an archive and/or a repertoire” at Tufts University Gallery, SMFA, I toasted homemade bread and buttering it for people to eat while we talked about different models for storing and sharing knowledge and how they transmit personal and community values across historical time. We spoke about the vulnerability of official and institutional archives in times of war or political shift, and the relative resilience of informal archiving practices that are represented by the sharing or recipies and fermentation “mothers”. If people wanted to, they will be welcomed to take some sourdough starter and/or an informational text designed to accompany it as a memento of the conversation/a functional yeast/a (literally) living archive. The text (download brochure here) shared the history of the 30-year old sourdough starter that I had been able to trace (I acquired it in 2015, but it was created in 1997) through the network that gave it to me, along with instructions for feeding the yeast, and an invitation to connect to an Instagram profile (@astro_leavener) where images of baked goods produced by the starter are shared. After the performance, the crumbs generated by slicing and buttering bread/toast were displayed in the exhibition through April 20, 2025. Photos by: Lani Asuncion, Olivia Slaughter and Joanna Tam.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Everything is an Archive</image:title>
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      <image:title>Everything is an Archive</image:title>
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      <image:title>Everything is an Archive</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/validated</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1745264144562-PDYKGEWVNM428DQG42V4/Validated+Detail+photo+by+Annielly+Camargo.jpeg</image:loc>
      <image:title>Validated - Validated</image:title>
      <image:caption>Validated was a site-specific, speculative futurist performance at Boston’s City Hall on March 29, 2025 as a part of an event called STATES OF EMERGENCE, a takeover of City Hall by Boston’s Mobius Artist Group. Description: Vaildated It’s March 29, 2038, the ten-year anniversary of our FINALLY eradicating the causes of tyranny in the USA. Of course it all started right here in Boston with our thoughtfully designed validation system, so come and celebrate with us, while also getting your validation up to date! Validation is a quick and easy process where a fellow citizen affirms your validity and the city’s validation officer certifies it, providing you with a stamped, dated certificate that you can show if your validity is ever called into question. STATES OF EMERGENCE features participatory and experimental works in movement, light, sound, time, and interactive engagement. In response to contemporary threats to American democracy, society, and culture, States of Emergence asks: how do we emerge from this moment? By coming together to be grounded in our bodies, embrace complex emotions, listen to diverse stories, and share concerns with one another, we hope this evening of experiential dialogue will be a moment of catharsis and collective imagination toward a better future. This event is made possible by the Mayor’s Office of Arts and Culture, City of Boston, and showcases the work of fifteen artists and collaborators within the Mobius Artists Group, curated by Jasper A. Sanchez. The Mobius Artists Group is a Boston-based artists’ collective committed to creating original, experimental work in all media. Its home is Mobius, Inc., an artist-run non-profit, tax-exempt, 501(c)(3) organization that creates opportunities to generate, shape and test experimental art. Founded by Marilyn Arsem in 1975, Mobius has been a regional and transnational laboratory for supporting and building relationships among fellow artists. They have presented work involving thousands of artists over the past 50 years. Works created by members of Mobius Artists Group have been presented throughout North and South America, Europe, the Middle East, and Asia. Several notable exchanges with artists from Norway, Northern Ireland and Ireland, Croatia, Macedonia, Poland, and Taiwan have focused on public sites as incubators for discourse. More information at https://statesofemergence.splashthat.com/ Photos by Annielly Camargo and Ally Schmaling.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1745264144562-PDYKGEWVNM428DQG42V4/Validated+Detail+photo+by+Annielly+Camargo.jpeg</image:loc>
      <image:title>Validated - Validated</image:title>
      <image:caption>Validated was a site-specific, speculative futurist performance at Boston’s City Hall on March 29, 2025 as a part of an event called STATES OF EMERGENCE, a takeover of City Hall by Boston’s Mobius Artist Group. Description: Vaildated It’s March 29, 2038, the ten-year anniversary of our FINALLY eradicating the causes of tyranny in the USA. Of course it all started right here in Boston with our thoughtfully designed validation system, so come and celebrate with us, while also getting your validation up to date! Validation is a quick and easy process where a fellow citizen affirms your validity and the city’s validation officer certifies it, providing you with a stamped, dated certificate that you can show if your validity is ever called into question. STATES OF EMERGENCE features participatory and experimental works in movement, light, sound, time, and interactive engagement. In response to contemporary threats to American democracy, society, and culture, States of Emergence asks: how do we emerge from this moment? By coming together to be grounded in our bodies, embrace complex emotions, listen to diverse stories, and share concerns with one another, we hope this evening of experiential dialogue will be a moment of catharsis and collective imagination toward a better future. This event is made possible by the Mayor’s Office of Arts and Culture, City of Boston, and showcases the work of fifteen artists and collaborators within the Mobius Artists Group, curated by Jasper A. Sanchez. The Mobius Artists Group is a Boston-based artists’ collective committed to creating original, experimental work in all media. Its home is Mobius, Inc., an artist-run non-profit, tax-exempt, 501(c)(3) organization that creates opportunities to generate, shape and test experimental art. Founded by Marilyn Arsem in 1975, Mobius has been a regional and transnational laboratory for supporting and building relationships among fellow artists. They have presented work involving thousands of artists over the past 50 years. Works created by members of Mobius Artists Group have been presented throughout North and South America, Europe, the Middle East, and Asia. Several notable exchanges with artists from Norway, Northern Ireland and Ireland, Croatia, Macedonia, Poland, and Taiwan have focused on public sites as incubators for discourse. More information at https://statesofemergence.splashthat.com/ Photos by Annielly Camargo and Ally Schmaling.</image:caption>
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      <image:title>Validated</image:title>
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      <image:title>Validated</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/taking-dictation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1745263525183-8VGNT68XW74E01F2UL4P/TakingDictation1.jpeg</image:loc>
      <image:title>Taking Dictation - Taking Dictation</image:title>
      <image:caption>Taking Dictation was a participatory, walking-based piece about tyranny created for the 2025 SUPERMARKET Art Fair and occurring in a shopping mall. The piece was part of a program called called WALKING WITH PASSION, curated by John Schuerman and Berg Duo. It included myself and two other artists from the Walking As Practice Collective, Juanma González and Aurike Quintellier. Description: Do you have a passion for rule-following? A deep-seated desire to please authority figures? If so, you’ll love Taking Dictation, a grownup, walking version of the kind of children’s games called “Simon Says” or “Follow the Leader” in the USA (and “Gör si, gör så” or “Följa John” in Sweden.) But this version has so much more complexity that it might be unrecognizable. Which means that if you hate rule-following and pleasing authority, but are gaga for entropy, then you’ll also love Taking Dictation. The title is a play on words around the practice of transcribing speech, which is a practice that is meant to be faithful to exactly what is spoken, but often has unintended variability. In this case there is an effort to see how far variability can go, to the degree that the “taking” of dictation becomes potentially a taking away of dictatorial power. Led by Heather (Hey There) Kapplow (USA), we will move together in a state that vacillates rapidly between obedience and disobedience, fairness and unfairness, freedom and restriction, order and chaos. The combination of movement, prompts, and sound will build simultaneous, contradictory routes through time and space as an experimental method for discovering previously unseen paths of resistance to the imposition of the ideas of others upon ourselves. Walking As Practice Collective is a group of artists dedicated to traversing spaces, rethinking and critiquing systematic constraints. In motion, they challenge norms and propose the distribution of agency, deploying vulnerability as a strategy for togetherness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1745263412369-9S7ON1F51UK6OEA8KIEF/TakingDictation1.jpeg</image:loc>
      <image:title>Taking Dictation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1745263525183-8VGNT68XW74E01F2UL4P/TakingDictation1.jpeg</image:loc>
      <image:title>Taking Dictation - Taking Dictation</image:title>
      <image:caption>Taking Dictation was a participatory, walking-based piece about tyranny created for the 2025 SUPERMARKET Art Fair and occurring in a shopping mall. The piece was part of a program called called WALKING WITH PASSION, curated by John Schuerman and Berg Duo. It included myself and two other artists from the Walking As Practice Collective, Juanma González and Aurike Quintellier. Description: Do you have a passion for rule-following? A deep-seated desire to please authority figures? If so, you’ll love Taking Dictation, a grownup, walking version of the kind of children’s games called “Simon Says” or “Follow the Leader” in the USA (and “Gör si, gör så” or “Följa John” in Sweden.) But this version has so much more complexity that it might be unrecognizable. Which means that if you hate rule-following and pleasing authority, but are gaga for entropy, then you’ll also love Taking Dictation. The title is a play on words around the practice of transcribing speech, which is a practice that is meant to be faithful to exactly what is spoken, but often has unintended variability. In this case there is an effort to see how far variability can go, to the degree that the “taking” of dictation becomes potentially a taking away of dictatorial power. Led by Heather (Hey There) Kapplow (USA), we will move together in a state that vacillates rapidly between obedience and disobedience, fairness and unfairness, freedom and restriction, order and chaos. The combination of movement, prompts, and sound will build simultaneous, contradictory routes through time and space as an experimental method for discovering previously unseen paths of resistance to the imposition of the ideas of others upon ourselves. Walking As Practice Collective is a group of artists dedicated to traversing spaces, rethinking and critiquing systematic constraints. In motion, they challenge norms and propose the distribution of agency, deploying vulnerability as a strategy for togetherness.</image:caption>
    </image:image>
    <image:image>
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    <lastmod>2026-02-27</lastmod>
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  <url>
    <loc>http://www.heatherkapplow.com/contact</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2022-03-03</lastmod>
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  <url>
    <loc>http://www.heatherkapplow.com/writing</loc>
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    <priority>0.75</priority>
    <lastmod>2025-08-05</lastmod>
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  <url>
    <loc>http://www.heatherkapplow.com/secret-page-for-thalia</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2025-06-28</lastmod>
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      <image:title>secret page for thalia</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/luxury-survey-zurich</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-11-02</lastmod>
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    <image:image>
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      <image:title>Luxury Survey English</image:title>
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  <url>
    <loc>http://www.heatherkapplow.com/index-freiraum-toilet-song</loc>
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    <lastmod>2020-08-18</lastmod>
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  <url>
    <loc>http://www.heatherkapplow.com/luxury-survey-spanish</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-07-11</lastmod>
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      <image:title>Luxury Survey Spanish</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1546945080717-W3YPR1BHDDUJMKCBGG0F/consumer+button.jpg</image:loc>
      <image:title>Luxury Survey Spanish</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1546945105167-U8L7N5CLA925Z4AOWK2D/simple+button.jpg</image:loc>
      <image:title>Luxury Survey Spanish</image:title>
      <image:caption />
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  </url>
  <url>
    <loc>http://www.heatherkapplow.com/luxury-survey-german</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-07-11</lastmod>
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      <image:title>Luxury Survey German</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5357e7fee4b09afeccff3b8e/1546945080717-W3YPR1BHDDUJMKCBGG0F/consumer+button.jpg</image:loc>
      <image:title>Luxury Survey German</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Luxury Survey German</image:title>
      <image:caption />
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  </url>
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